108 posts categorized "Theatre thoughts" Feed

All about the must see plays of 2019: All My Sons and All About Eve

Tickets went on sale this week for what must surely count as two of London's must-see plays of 2019: All My Sons, Old Vic and All About Eve, Noel Coward Theatre. 

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All About Eve: Gillian Anderson and Lily James. Photo: Perou

The new production of Arthur Miller's All My Son's has big Hollywood star casting with Sally Field and Bill Pullman and British favourites Colin Morgan and Jenna Coleman joining them.

Let's just pause for a moment and think about that casting, I mean Sally 'life is like a box of chocolates' Field alone.

Headlong is co-producing with Jeremy Herrin directing and we all know how impressive and eclectic his CV is.

Genius writing

Arthur Miller's writing is genius, the way he slowly strips away the narrative layers to reveal something raw underneath.

The last production of All My Son's I saw was in 2010 and starred Zoe Wanamaker, David Suchet, Stephen Campbell Moore and Jemima Rooper and was one of my favourite plays of that year.

But as if all that wasn't quite enough we have Ivo Van Hove directing Gillian Anderson and Lily James in All About Eve at the Noel Coward Theatre.

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From the archives: Colin Morgan's stage debut in Vernon God Little, Young Vic Theatre

It's a play I still remember fondly and I was right to think that Colin Morgan was 'one to watch'

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Colin Morgan in Vernon God Little, Young Vic Theatre, 2007

It's 10 years since the BBC's Merlin first aired, which I loved, but one of the reasons I started watching was because I'd seen Colin Morgan on stage a year earlier.

It was his stage debut as Vernon in Vernon God Little at the Young Vic in 2007. He was still at drama school when he was cast.

Rufus Norris directed (what happened to him ;0) and Mariah Gale was also in the cast and went on to play Ophelia opposite David Tennant's Hamlet.

There was no Rev Stan's Theatre Blog then but I did have a 'general thoughts' blog where I wrote about the play which I've reposted below. (Like to think my theatre writing has developed a bit in the past 11 years.)

It's a play I still remember fondly and I was right to think that Colin was 'one to watch' - my review may not come across overly enthusiastic but I was more restrained back in those days.

Reposted from Rev Stan's Other Stuff 8 June 2007:

Loved DBC Pierre's book when I read it a couple of years ago as it is clever and thought-provoking black comedy and thoroughly deserving of the accolades it received.

So I was curious to see how it was translated for the stage in this production at the Young Vic.

The book has many characters and many locations which must have presented a challenge for the production which ended up with just 10 actors. The stage sets and props were fairly minimal but imaginatively used.

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That was August in theatre land - news & castings that caught my eye plus hits, misses and celeb spots

August was dominated by Edinburgh for me but the London theatre wheels were still turning; here's my round up of my favourite bits of news, my theatre hits and misses and few celeb spots...(let me know if I missed anything while I was north of the border).

Foxfinder_poster_sept18Sally Field and Bill Pullman in All My Sons, Old Vic - yep Hollywood comes London theatreland next year in a co-production with Headlong (Jeremy Herrin directs). No dates yet but already I can't wait. 

National Theatre's artistic director Rufus Norris steps into the breach - there has been a spate of understudies and theatre staff saving the day when actors are indisposed but last night's performance of Home, I'm Darling saw Norris take to the stage to play Jonny for Richard Harrison.

Foxfinder full cast - You may have missed my July round-up (I did) which (would have) mentioned that Iwan Rheon and Heida Reed had been cast in Foxfinder at the Ambassadors Theatre, well joining them is Paul Nicholls and Bryony Hannah. It opens for preview on September 6.

The Wild Duck, Almeida - Fans of Robert Icke rejoice, he returns to the Almeida with a production of Ibsen's The Wild Duck. Speculation has already started about who will be in the cast.  Opens October 15.

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Final thoughts on my first trip to the Edinburgh Fringe or lessons in diverse programming

Theatre is supposed to reflect society, challenge and change but how can it do that when its programming doesn't fully embrace the full gamut of ethnicity, sexual orientation and balance of gender?

Queens_of_Sheba_750x490The Edinburgh Fringe: It was a blast, bonkers, a baptism, friendly, sometimes frantic and lots of fun. But all good things come to an end and since getting home I've had time to reflect on everything I've seen and experienced.

Fringe theatre has always felt like the true stomping ground for more varied and diverse programming and so it is with the Edinburgh Fringe - definitely less white and middle-class-centric.

Audiences were more diverse in age-range too, no sitting in a predominantly middle-aged audience.

Dearth of BAME theatre

But where Edinburgh has a reasonably good offering of female-centric and LGBT theatre it has a dearth of BAME - something that was also reflected in those watching.

One of my Edinburgh housemates and a Fringe regular, @ShakespeareanLK, commented on how white the Fringe still is and she's right.

Two of my favourite plays were Queens of Sheba and The Fishermen (both won much-deserved Fringe awards).

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London theatre June highlights: Game of Thrones stars tread the boards and a bumper crop of celeb spots

June was a big month for new production and casting announcements, here are the ones that caught my eye including two Game of Thrones actors heading to the stage.

• Angela Carter novel Wise Children has been adapted for the stage by Emma Rice for the Old Vic Autumn Season. Rice will also direct and previews start on October 8.

Kit Harington Doctor Faustus
Kit Harington previously appeared in the bloody Doctor Faustus and is set to star in True West.

 

• After Donmar's The Way of the World at the Donmar earlier this year, there is more restoration comedy to look forward to, this time William Congreve's play The Double Dealer which opens at the Orange Tree Theatre in Richmond on December 7.

• And talking of the Donmar, Michael Longhurst has been announced as the replacement to Josie O'Rourke as artistic director. He takes over in March 2019.

• Hollywood star Cate Blanchett is going to be treading the boards at the National Theatre with Stephen Dillane. Yay. What is tempering my excitement is it's a Martin Crimp play with a pretentious title and directed by marmite director Katie Mitchell. So torn about whether to see this one.

• Game of Thrones' Jon Snow aka Kit Harington is following up his turn in the bloody Doctor Faustus starring in Sam Shepherd's True West with Johnny Flynn at the Vaudeville Theatre. Previews from November 23. 

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Best (and worst) of London theatre for 2018...so far...and the actress in two plays on the list

As the halfway mark of 2018 rushes past, it's time to reflect on the highlights and low lights of London's theatre productions so far (edit: scroll to the bottom for the most read posts).

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Julius Caesar warm-up gig, Bridge Theatre. Photo: Rev Stan

I'm not sure whether it's a reflection of more varied programming generally or just where my interests predominantly lie these days but it's a list dominated by women protagonists and BAME stories.

Best of the big stuff (West End and off West End)

Girls and Boys, Royal Court

Carey Mulligan's performance is a tour de force, precise, subtle and complex. It is a devastating and brilliant piece of theatre and it's transferred to the Minetta Lane Theatre in New York Theatre where it runs until July 22.

The York Realist, Donmar Warehouse

Like My Night With Reg crossed with God's Own Country and the steamiest flirtation on stage for a long while.

Julius Caesar, Bridge Theatre

Stuff with Ben Whishaw in it doesn't always make it into my best of lists but being part of the mob was at times like being at a rock concert, a rally and in the middle of a war - never thought I'd enjoy standing at the theatre.

The Great Wave, National Theatre

Had no prior knowledge about the true events this play is based on but it proved the adage that the truth really can be stranger than fiction.

Summer and Smoke, Almeida

The first of two appearances on this list for Patsy Ferran, Summer and Smoke was a delicate, yet tense and heartbreaking play and I'm so glad it's got a transfer to the West End. See ATG's official website for details.

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Two transfers - An Octoroon and Sea Wall - are they as good in bigger venues? Or a shout out for diversity.

It's great to see small production transfer to bigger venues so more people get to experience them but there is always a danger they lose something in a larger space.

An Octoroon national theatre posterAnd so it was with a mixture of excitement and trepidation that I have been to see two transfers recently - An Octoroon and Sea Wall.

An Octoroon first wowed me at the Orange Tree in Richmond where it served as a reminder of why I go to the theatre. (You can read my original review of An Octoroon here.)

Same intimacy?

Its transfer is to the Dorfman at the National Theatre which is a great choice as the space is flexible so the original staging, with the audience on four sides, can easily be recreated.

You would think it would lose some of its intimacy in the bigger venue but it didn't.

And crucially An Octoroon is a testament to not only why we need plays that reflect a more diverse narrative but also why theatres need to be attracting a more diverse audience.

By diverse I'm talking about both age and ethnicity.

Less staid

I've written before the difference it makes sitting in an audience that is more reflective of London's population, it makes for a less staid, less vanilla theatre-going experience.

And so it was for An Octoroon, right from the very beginning when the fourth wall was broken and there was a verbal response to actor Ken Nwosu's greeting when he came on stage.

This was an audience engaged and gripped from the outset and it just heightens your own enjoyment being part of that collective experience.

Go see An Octoroon if you can get a ticket. It's just as brilliant at the Dorfman, details at the end of the post.

 

 

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10 Very British Theatre Problems (inspired by @SoVeryBritish)

It's just sitting in the dark watching people talking on stage, right?

Wrong. Theatre-going is one huge mess of social awkwardness for us Brits and here's why: 

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Photo by Shrinkin' Violet on Flickr

1. Feeling you have to apologise when you stand up to let someone get to their seat.

2. Or finding yourself apologising for not standing up fast enough to let someone get to their seat.

3. Sitting on the front row and trying to look 'interested and entertained' just in case one of the actors meets your eye.

4. Then deciding you can never see that actor on the stage ever again because they caught you yawning or accidentally pulling a face when they did look at you.

5. At the interval, apologising for disturbing the couple at the end of the row despite the fact that they failed to notice everyone else had stood up and was waiting for them to move.

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Comment: Is Mark Rylance right to say noisy audiences are the fault of the actors?

The Stage reports on comments made by Mark Rylance at a conference in which he laid the blame for noisy audiences on the actors:

Screen Shot 2018-06-12 at 18.27.10But is he right?

Yes, there might be occasions when the performances aren't engaging enough but to solely blame actors would absolve playwrights, dramaturgs and directors of any responsibility.

Not all plays are perfect. I've sat through several new works that should have had more development time.

Equally, I've sat through revivals of 'rarely performed' work that probably should have stayed on the bookshelf.

Plays not perfect

Sometimes the actors can be doing their utmost with what isn't a particularly good play. In fact, I've written reviews in which I couldn't fault the production but found the play was lacking.

Not everyone will feel the same way about a particular story and themes and no amount of good acting is going to change it. 

I'm not going to get noisy and disruptive when I'm not enjoying a play but others do.

Last week when I was enjoying Julie at the National Theatre the man sat next obviously wasn't. He was huffing and puffing and sighing in that way people do when they are bored or irritated.

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Highlights: May's London theatre news, casting, highs, lows and a Q shaped celeb spot

Theatre stuff that caught my eye

* Director Jamie Lloyd is back with more Pinter (at the Pinter). It's a season of the one-act plays with a cast including Tamsin Greig, Danny Dyer, Jane Horrocks and Martin Freeman and will run at the Harold Pinter Theatre from 6 September through to January 23. Directors joining Jamie Lloyd include Lia Williams, Patrick Marber and Lindsay Turner.

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Southwark Playhouse's new venue at Elephant & Castle. Photo: Rev Stan on Instagram

* Southwark Playhouse is to get not one but two new homes from 2019. Its current spot in Elephant & Castle is hopefully the last of a string of temporary homes but as well as having a venue back under the arches at London Bridge, it's previous home, it will have a brand new theatre in Elephant. In order to secure these permanent homes the theatre needs to raise some more cash - and in return for a donation, you get the chance to have your name or other message inscribed on the wall. Dig deep.

* The Young Vic's rather brilliant production of The Inheritance gets a well deserved West End transfer. It opens at the Noel Coward Theatre Sep 21 until Jan 5.

* Andrew Scott returns to the stage with Simon Stephens superb Sea Wall. This time it has a two week run at the Old Vic from Jun 19. It is a punch in the guts short play (30 minutes) with a breathtaking performance by Scott. Need more convincing? Here's what I wrote about Sea Wall when it had its last short run at the NT's The Shed back in 2013.

* Lenny Henry is back on stage next year (still fangirling after shaking his hand during Resistible Rise of Arturo Ui). This time he's heading to Theatre Royal Stratford East to star in a production of August Wilson's King Hedley II which opens May 17.

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