106 posts categorized "Theatre thoughts" Feed

Pinter and misogyny post #metoo - was Pinter ahead of the curve or playing for laughs?

Last year saw the #metoo movement explode and finally expose the appalling behaviour women can experience, was Pinter ahead of the curve?

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Pinter Six of the Pinter at the Pinter season is the first that I can say I quite enjoyed but it didn't stop a nagging question I've had for a while: Was Pinter a misogynist?

I'm not alone as it was the first question in the post-show Q&A with director Jamie Lloyd and cast members Celia Imrie, Ron Cook and Abraham Popoola.

Pinter Six is made up of two plays: Party Time and Celebration both exploring similar themes (link to a review below).

They centre on two different groups of nouveau riche who are shallow in their obsessions for fine things and for all the bonhomie are isolated, disconnected and lonely.

Treatment of women

Both plays are funny and exposing. But they also have something else in common: The women are often not treated very well by the men.

They are derided, ridiculed or presented as ridiculous, nagging or stupid. If they have any purchase in their relationships it feels like it is being presented under judgement.

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Happy New Theatre Year: 9 plays I'm particularly looking forward to seeing in 2019

Starting off 2019 with plenty of theatre in the diary, these are the nine plays I'm particularly looking forward to seeing (in date order):

RG-3X9vs_400x400Kompromat, Vault Festival (23-27 Jan)

What the website says: Inspired by the still-unsolved 2010 murder of GCHQ agent Gareth Williams, Kompromat is a tense drama of double agents and our capacity for self-deception played out against a high-stakes game of love.

Why I'm excited: Having read an early draft a couple of years ago and then attended a rehearsed reading at the Arcola I've got a good feel for what this might be like.

Tartuffe, National Theatre (9 Feb-30 Apr)

What the website says: A scalpel-sharp comedy looking at the lengths we go to find meaning – and what happens when we find chaos instead.

Why I'm excited: Tartuffe is one of the classics I've long wanted to see, John Donnelly has done the adaptation and Olivia Williams is in it. I love Olivia Williams.

Jesus Hopped The 'A' Train, Young Vic (14 Feb-30 Mar)

What the website says: From Pulitzer Prize winner Stephen Adly Guirgis (The Motherfucker with the Hat), comes this critically-acclaimed dark comedy about the American justice system and the contradictory nature of faith. 

Why I'm excited: I loved The Motherfucker With the Hat when I saw it in 2015 at the National and I've been waiting for another Stephen Adly Guirgis play to hit London ever since.

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2018 theatre review: Favourite moments from the surreal to the emotional and some awards

110+ plays and my first visit to the Edinburgh Fringe (15 plays in 6 days), 2018 was quite a year...

Magic and memorable moments:

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Patsy Ferran in My Mum's A Twat, Royal Court. Photo: Helen Murray.

Feeling part of the set:  Sitting on a bean bag on the carpet in Patsy Ferran's 'bedroom' for My Mum's a Twat at the Royal Court (and she said hello to me).

Audience reaction #1: The audience gasping at the 'snap' during a scene in the RSC's Julius Caesar where a little boy's neck 'was broken’. Obviously, no child was harmed etc.

Audience reaction #2: Finding myself stood up singing Amazing Grace with the entire audience at the Royal Court during 'Notes From The Field'.

Actor interaction: Kia Charles winking at me and grinning during Quiz, Noel Coward Theatre (benefits of on-stage seating).

Surreal moment #1: Alex Hassell introducing himself to me and Poly was a bit surreal (stopped myself from blurting out 'I know, I saw you play Prince Hal/Henry V etc.)

But what made it more surreal is that we were in a church hall in Pimlico and after the meet and greet we sat in a circle to watch and sometimes be part of a production of Macbeth.

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Can we move beyond gender-swapping roles on stage and write better characters for women?

Bernhardt_Hamlet2A theatre announces that a classic male role will be played by a woman and gets a plethora of headlines as a result.

While giving a woman a meaty, lead role is something to be applauded, it exposes the shortcomings in onstage equality in theatre-land.

Gender swapping characters isn't fresh, new and exciting, it's starting to feel overused, calculated and like lip-service. 

Progress in Hollywood

Given the progress Hollywood seems to be making on equality and diversity theatre land needs to up its game.

In fact, recent research shows that films with a female lead have bigger box office takings than those with a male lead so there is also a business case.

Part of the problem is the reliance on regurgitating classic plays which tend to be male-dominated. 

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Is it time for theatres to reward loyal ticket buyers and how should they do it?

When tickets went on sale for the concluding play in Jamie Lloyd's Pinter at the Pinter season - Betrayal starring Tom Hiddleston - those who had already booked tickets for other, arguably less commercial plays, were given 24-hours priority booking*.

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Tom Hiddleston is a big draw, Hollywood level stardom with a large fan base and demand was going to be high for tickets, so it felt like a genuine reward was being offered for those who are theatre fans first and foremost.

And I don't think I've seen a theatre do anything quite like this before.

Recognition for loyalty

The gesture and recognition for loyalty felt all the greater when a few days later the National Theatre sent out emails about the results of a ticket ballot for another play with a Hollywood star in the cast.

Cate Blanchett is taking to the Dorfman stage next year in a play directed by Katie Mitchell and, anticipating high demand, the National asked people to apply to go into the ballot for a chance to buy tickets. 

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3 London theatre stories that caught my attention this week - and an actor encounter

SWEAT Donmar Warehouse Picture Spencer Platt  Getty Images1. Exciting casting announcement at the Donmar 

One of my favourite films growing up in the 80s was The Goonies so imagine my excitement when learning that Martha 'Stef' Plimpton is going to be starring in the Donmar Warehouse's production of Sweat (previews from Dec 7).

The Pulitzer Prize-winning play was written after playwright Lynn Nottage starting spending time in Reading, Pennsylvania - one the poorest cities in America.

2. Trevor Nunn returns to the Jermyn Street Theatre

The Jermyn Street Theatre announced its Spring/Summer 2019 season which sees the return of Trevor Nunn who is directing Agnes Colander, Harley Granville Barker’s play exploring love, sexual attraction and independence.

The play was written in 1900 but was only discovered at the British Library 100 years later and is described as a 'hidden gem'.

It's a revival of a production that ran at the Ustinov Studio at Theatre Royal, Bath earlier this year. Jermyn Street Theatre 12 Feb - 16 Mar.

 

 

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The shameless Ben Whishaw birthday post - my favourite stage performances

Shh, it's a rainy Sunday afternoon... it's Ben Whishaw's birthday so in 'celebration' here are the stage performances of his that are my favourites.

Ben Whishaw Hamlet programmeHamlet, Old Vic

Ok so technically I didn't see him perform it live but I have seen the V&A video recording a couple of times.

His Hamlet made so much sense. He was young, clever, inexperienced, fragile and at times immature and petulant.

Basically, he was a young adult thrown into an extraordinary situation and ill-equipped to cope. 

And he snot cried.

The full review is here which also includes links to related interviews and other tidbits.

Baby in Mojo, Comedy Theatre - now the Harold Pinter

Don't ask how many times I saw this, it was a lot.

It was a move away from the sensitive souls he's very adept at playing, something more akin to Sidney in the film Layer Cake. 

And I liked that, I like to see his versatility, his wilder performance side.

While underneath the surface there is a tragedy to Baby, he presents as someone wildly unpredictable and is dangerous as a result.

He also did a brilliant dance which was a mix of impish, wild abandon and menace.

Read my first thoughts plus links to more detailed reviews.

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3 London theatre stories that caught my attention this week - and some belated actor spots

Twilight-zone-ctt-480wx280h-15389888801. The Twilight Zone to get a West End run

I described the Almeida's Twilight Zone as 'sinister and silly fun' when I saw it in December last year and now it's getting a stint in the West End. It will run from 4 March to 1 June at the Ambassadors Theatre and even if you haven't seen the TV series (I hadn't) it's worth seeing if you want something a little surreal, silly and occasionally thought-provoking.

2. Joe McGann and Josie Lawrence star in US play

The Print Room in Notting Hill will host the first UK production of American literary icon Don DeLillo’s Love-Lies-Bleeding, starring Joe McGann Josie Lawrence.  Described as a perceptive and witty story, it's about a family trying to take death into their own hands and I admit that it had me at 'jet-black humour'. It runs from 9 November to 8 December, find details on the Print Room website.

 

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All about the must see plays of 2019: All My Sons and All About Eve

Tickets went on sale this week for what must surely count as two of London's must-see plays of 2019: All My Sons, Old Vic and All About Eve, Noel Coward Theatre. 

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All About Eve: Gillian Anderson and Lily James. Photo: Perou

The new production of Arthur Miller's All My Son's has big Hollywood star casting with Sally Field and Bill Pullman and British favourites Colin Morgan and Jenna Coleman joining them.

Let's just pause for a moment and think about that casting, I mean Sally 'life is like a box of chocolates' Field alone.

Headlong is co-producing with Jeremy Herrin directing and we all know how impressive and eclectic his CV is.

Genius writing

Arthur Miller's writing is genius, the way he slowly strips away the narrative layers to reveal something raw underneath.

The last production of All My Son's I saw was in 2010 and starred Zoe Wanamaker, David Suchet, Stephen Campbell Moore and Jemima Rooper and was one of my favourite plays of that year.

But as if all that wasn't quite enough we have Ivo Van Hove directing Gillian Anderson and Lily James in All About Eve at the Noel Coward Theatre.

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From the archives: Colin Morgan's stage debut in Vernon God Little, Young Vic Theatre

It's a play I still remember fondly and I was right to think that Colin Morgan was 'one to watch'

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Colin Morgan in Vernon God Little, Young Vic Theatre, 2007

It's 10 years since the BBC's Merlin first aired, which I loved, but one of the reasons I started watching was because I'd seen Colin Morgan on stage a year earlier.

It was his stage debut as Vernon in Vernon God Little at the Young Vic in 2007. He was still at drama school when he was cast.

Rufus Norris directed (what happened to him ;0) and Mariah Gale was also in the cast and went on to play Ophelia opposite David Tennant's Hamlet.

There was no Rev Stan's Theatre Blog then but I did have a 'general thoughts' blog where I wrote about the play which I've reposted below. (Like to think my theatre writing has developed a bit in the past 11 years.)

It's a play I still remember fondly and I was right to think that Colin was 'one to watch' - my review may not come across overly enthusiastic but I was more restrained back in those days.

Reposted from Rev Stan's Other Stuff 8 June 2007:

Loved DBC Pierre's book when I read it a couple of years ago as it is clever and thought-provoking black comedy and thoroughly deserving of the accolades it received.

So I was curious to see how it was translated for the stage in this production at the Young Vic.

The book has many characters and many locations which must have presented a challenge for the production which ended up with just 10 actors. The stage sets and props were fairly minimal but imaginatively used.

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