63 posts categorized "Old Vic" Feed

Review: Faith Healer, Old Vic In Camera - when 'Zoom theatre' truly comes into its own

I miss sitting in a theatre and watching a live performance. I miss it terribly. But the Old Vic's latest In Camera production - Brian Friel's Faith Healer - not only worked really well as a live stream, it might have worked better.

Faith Healer poster old vic in camera
The 'curtain' during scene changes

I've seen the play before, a production at the Donmar Warehouse in 2016, its format is four monologues told by three different characters all recounting the build-up to a fateful night in a pub in rural Ireland with each having a contrasting take.

The faith healer of the title is Frank Hardy (Michael Sheen) who travels around healing people with his wife Grace (Indira Varma) and manager Teddy (David Threlfall) tow.

Frank questions his ability to heal. He tells us he just knows when something is going to happen and when it is not. His success rate hasn't led to fame and fortune rather, it's a tough life on the road sometimes sleeping in the van.

Genuine or con?

Is his 'ability' genuine or a truth he tells himself or a con?

Both Teddy and Grace have something that resembles faith in his healing.

Teddy refers to it as a 'talent'. His background is in managing seemingly improbable - and amusing - variety acts such as Rob Roy, the bagpipe playing whippet.

Yet there is no perceived irony in how he talks about Frank or any of his 'acts'.

Continue reading "Review: Faith Healer, Old Vic In Camera - when 'Zoom theatre' truly comes into its own " »


Review: Andrew Scott in Three Kings - a master in storytelling, compelling and gripping

If you've ever seen Andrew Scott perform Simon Stephens' monologue Sea Wall you'll know he is a master storyteller, deftly lifting words off the page and turning them into something compelling and gripping.

Andrew Scott Three Kings start

Three Kings, beautifully written by Stephen Beresford, gives him even more scope to sprinkle his performance magic.

Created especially for the Old Vic's In Camera, it is described as a scratch performance but only the lack of embellishments like set and fancy lighting give any sign of this. 

And who needs any of that anyway when you've got 60 minutes of you and Andrew Scott, albeit seen from the other side of a screen.

Funny and heartbreaking

Like Sea Wall, the power is in the story as it is told. And it is a powerful piece Scott drawing out the humour and heartache in equal measure.

Three Kings is about the relationship between a son and his an estranged father.

He meets him briefly at 8 years old but the meeting leaves an indelible mark which will go on shaping their relationship for many years.

His father leaves him a challenge of solving a puzzle involving three coins - the Three Kings of the title.

But it more than a simple test of puzzle-solving, solving this puzzle is hugely weighted.

Continue reading "Review: Andrew Scott in Three Kings - a master in storytelling, compelling and gripping" »


Review: Lungs, Old Vic - the 'live' theatre experience and a few thoughts on the play itself (I wasn't blown away)

I never got to see Lungs when it was on stage and I nearly didn't get to see this live online version because of the Old Vic's odd approach to ticketing - charging normal theatre prices for people to sit in their own homes to watch.

Lungs Old Vic on screen

But putting that to one side (I wrote about it here), on the final release of tickets, without expecting to find anything affordable, I managed to snag a £20 ticket.

The Old Vic has tried to inject as much of the live theatre atmosphere into the online experience as possible.

In the run-up to the live performance by Claire Foy and Matt Smith, you hear the hubbub of an audience and the bell that warns people the start is imminent and to take their seats.

It was a nice touch.

The performance itself looks like it's filmed on two cameras so you have the two actors appearing side by side on screen but in different shots.

You only get a sense that they are on the same stage in the occasional wide shot and when one of them walks across the other's shot to take up a new position.

Continue reading "Review: Lungs, Old Vic - the 'live' theatre experience and a few thoughts on the play itself (I wasn't blown away)" »


10th birthday list: My favourite comedy plays and a few I didn't like so much

Humour is personal, what one person finds hilarious might fall flat for someone else. And it is really difficult to get right, comic timing is a great skill.

Dan-cook-MCauAnBJeig-unsplash

Now I love dark comedy, the uncomfortable laugh that makes you think but I'm also partial to the silliness of a good farce.

Here are my favourite comedies from the past 10 years of writing this blog and I would love to know what your favourites are - tell me in the comments.

Upstart Crow, Gielgud Theatre

A clever and funny play that twists and weaves Shakespeare's plots - often exposing their ridiculousness and prejudices - with modern references.

Teenage Dick, Donmar Theatre

Based loosely on Shakespeare's Richard III the setting is an American high school and the machiavellian protagonist is a hemiplegic student Richard who is fed up of being bullied and teased about his disability.

It was a great combination of fun and dark comedy - and had a brilliant dance sequence.

Emilia, Vaudeville

A potent mix of humour, fun and feminism. It had a powerful message delivered in a deliciously entertaining and clever way.

Present Laughter, Old Vic

Director Matthew Warchus put a fresh spin on the well-trodden Noel Coward play which, coupled with Andrew Scott's performance, made this a sublime comedy.

I reviewed it alongside Noises Off at the Lyric Hammersmith, in a compare and contrast of the two comedies which you can read here.

Continue reading "10th birthday list: My favourite comedy plays and a few I didn't like so much" »


Is the Old Vic's choice of ticketing for Lungs reinforcing what is bad about theatre?

Anyone else wondering why the Old Vic has decided to sell tickets for the live-streamed performances of Lungs in the way it has?
 
Old Vic We'll be back soon sign
 
And by that, I mean pricing tickets and limiting the numbers as if people are actually coming to watch it in the theatre.
 
You don't get a better seat for £65 but you might have to pay that when the cheaper seats sell out.
 
Actors Matt Smith and Claire Foy who star are a big draw and the queues to get on the website have been in the thousands (I joined at 8,000+ and 7 hours later haven't made it onto the site).
 
Surely, given the demand, they could have sold unlimited tickets at a fixed price - say £20 - and made more money on an extremely limited number of performances.
 
It would open up theatre to a broader audience, not just those for whom the ticket prices are mostly prohibitive but also those who live too far away.
 
By adopting this conventional form of ticketing at such an unconventional time it feels like it is just reinforcing theatre's image of being an exclusive pass time for the affluent.
 
Or am I missing something?
 

Matt Smith and Claire Foy to perform Lungs (plus 5 plays that could have the same social distance treatment)

The Old Vic has announced that Matt Smith and Claire Foy will be doing a socially distanced version of the play Lungs which will be filmed at the theatre and live-streamed.

Old Vic We'll be back soon sign
Photo: Rev Stan

It will be ticketed and numbers limited to 1,000 per performance so there is an element of exclusivity to it.

Dates have yet to be announced but check out the Old Vic website for more details and how to sign up for email updates. I missed it the first time around so I'll certainly be trying to grab a ticket.  

Lungs will kick off what the Old Vic is calling In Camera, a series of rehearsed readings shot at the theatre against the empty auditorium and streamed online.

It is a fantastic way of bringing live performance to theatre lovers but also raising much-needed funds.

And while streaming archive productions has been brilliant - and will continue to be so, I'm sure this will just be the start of similar innovations to keep theatres going with fresh performances.

Continue reading "Matt Smith and Claire Foy to perform Lungs (plus 5 plays that could have the same social distance treatment)" »


10th Birthday list: My favourite theatre curtain call moments

I love curtain calls at the end of plays. It's a revealing time when characters are shaken off - or not - when faces perhaps show the person underneath the acting mask.

Swan Theatre view from the stage
View from the stage at the RSC Swan Theatre. Photo Rev Stan

They can also be a time of japes, fun and banter.

From time to time over the past 10 years of blogging I've mention curtain calls, they even have their own category in my end of year awards on occasions, so I decided to compile a list of  my favourites:

1. Only on the last night of the RSC's Richard II could the King (David Tennant) and his deposer Bolingbroke (Nigel Lindsay) have a final tussle for the crown. It was 2-0 to Bolingbroke in the end, David Tennant's curtain call lunge to take the golden circlet from Nigel Lindsay was not quite fast enough.

2. Another last night, this time the end of the run was all a bit too much for the cast of Mojo at the Harold Pinter Theatre. Daniel Mays looked like he'd been crying backstage and Ben Whishaw and Rupert Grint were fighting tears.

3. And another last night...Mark Strong couldn't hide his emotions at the end of A View From the Bridge at the Young Vic but instead of tears, he mouthed a satisfied 'yes' while making a fist.

4. At the curtain call of cold war drama Anna, National Theatre, there was a polite request from the cast who held up a series of cards which spelt out 'No Spoilers'.

Continue reading "10th Birthday list: My favourite theatre curtain call moments" »


10th Birthday list: Best play I've seen for each of the last 10 years (or the agony to choose list)

So this month Rev Stan's Theatre blog is 10 years old. My first post was 18 April 2010, it took a couple of weeks before I was to post again but the marker was in the sand.

Various theatre tickets

I had lots of ideas for fun theatre nerdery to celebrate but the lockdown has clipped my wings a little bit as many of them involved actually be at the theatre.

But not to let a decade of theatre bloggery go by without marking the occasion I've got a few other things up my sleeve for the coming few weeks/months.

And to kick things off I've compiled a list of my favourite play for each year I've been blogging (I did my 10 best plays of the decade back in December).

It has been fun revisiting my best-of lists but absolutely agony narrowing each list down to just one, as you will see.

I'm still not 100% happy but here goes:

2010

I initially chose The Pride, Lucille Lortel Theater, New York which saw Ben Whishaw make his Broadway debut alongside Hugh Dancy and Andrea Riseborough but then I realised that technically I saw that in February 2010 before Rev Stan's Theatre blog was born. So I've reluctantly decided it doesn't count.

So my second choice is Clybourne Park, Royal Court Theatre. It's a play that set the benchmark for uncomfortable humour and one which I regularly reference when talking about superb dark comedies.

2011

Jeez, this was a tough one. This was the year I saw Jerusalem, Much Ado with Tennant and Tate and Collaborators, National Theatre to name just three. But with much soul-searching I'm going to choose Flare Path, Theatre Royal Haymarket because it was so beautiful and warm and sad and I'll always remember Sheridan Smith's trembling bottom lip and a brilliant early performance by Matthew Tennyson. Saw it more than once too.

Continue reading "10th Birthday list: Best play I've seen for each of the last 10 years (or the agony to choose list)" »


Video: 60 Second review of Endgame at the Old Vic with Alan Cumming & Daniel Radcliffe

Here are my 60 seconds worth of thoughts on Endgame at the Old Vic, recorded when I got home from the theatre.

The bit I was halfway through saying at the end (the video was cut for Instagram) was 'Amazing...way with ladders'.

If you want more than 60 seconds worth you can read my full review here.

For more video reviews follow my Instagram account or YouTube channel.

And if you've seen Endgame, let me know what you thought in the comments ⬇️⬇️⬇️⬇️⬇️


Review: Alan Cumming and Daniel Radcliffe in Endgame, Old Vic - stuffed dogs, ladders and a performance that resonates

I know when Alan Cumming was talking about crossing his character's 'wasted' legs on the Graham Norton Show a few weeks ago it was a joke but there was a small part of me that was waiting for it to happen when I went to see Endgame. 

Old Vic Endgame sign

There is humour in Beckett's play about master and servant locked in an endless routine of acid dialogue and 'activity', some of it physical some of it in the words.

But this isn't a roll-around in the aisles funny comedy. It's a Beckett play after all.

It's like an abstract, absurd Chekhov play about people who can see the escape route to their problems but can't seem to follow it.

There's an inevitability but Endgame's narrative is circular rather than linear.

Opposites attract?

Hamm (Alan Cumming) and Clov (Daniel Radcliffe) are opposites (who attract?) and it is something that is particularly apparent in this production.

Continue reading "Review: Alan Cumming and Daniel Radcliffe in Endgame, Old Vic - stuffed dogs, ladders and a performance that resonates" »