185 posts categorized "National Theatre" Feed

Sunday theatre question: What combo would be your nightmare theatre production?

If you had a theatre-watching nightmare, one where you were forced to sit an watch something and it was everything you hate, what would that look like for you?

Sunday theatre question

For me, it would be a musical, written by Tom Stoppard and starring Ben Whishaw for reasons I explain in the video below.

There is one Tom Stoppard play I really like and that is Rosencrantz and Guildenstern are Dead but I've realised over the years that the only reason I like that play is because I love Hamlet and crucially I'm familiar with it.

And that's the problem with Stoppard he relies on a lot of existing knowledge and if the references and ideas aren't familiar then it doesn't make much sense. Which has been the case with all the other plays I've seen.

I'm not one for dumbing down but I find them alienating because I don't have the prerequisite level of knowledge to adequately appreciate them.

And I've tried quite a few - I've seen Arcadia more than once - but after these years of testing, I've come to the conclusion that Stoppard isn't for me.

Here's a couple of reviews of Tom Stoppard plays I've seen:

The great: Rosencrantz & Guildenstern are Dead, Old Vic starring Daniel Radcliffe and Joshua McGuire

The tedious: The Hard Problem, Dorfman Theatre

 

 


Sunday theatre question: Who would star in your dream play in 2021?

Hopefully this year we'll see theatres reopening and a semblance of normality returning so with that in mind the first Sunday Theatre question of 2021 is about what your dream play would be and who would star in it.

So pick a genre - or a play if you have one in mind - the actor and/or actress you'd most like to star in it and then share it in the comments.

My choice would be a black comedy starring Ben Whishaw and Monica Dolan for reasons I explain in the video.

Looking forward to reading about your choices and scroll down for my favourite black comedies...

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Lockdown lessons for theatres in audience relations

I've been waiting for Cultural Capital to publish her thoughts about how the National Theatre saved lockdown and what it means for future audience relations.

We've discussed it a couple of times in recent weeks, having both noticed a change in the relationship between theatres and their audiences.

 
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Without a communal space to congregate in, theatres have had to reach out like never before to find an audience - and without live performance, they've had to be inventive in their offer.

As the piece says, the National Theatre's NT Live has been a boon but even more so has been the 'behind the scenes' Zoom chats with the cast and creatives. You'll have to read the piece to get Cultural Capital's full thoughts about how this might fuel changes.

We have also discussed how theatres have been far more responsive on social media, again reaching out to engage with their audience noticeably more than has been done in the past.

Have theatres realised that they need to build a relationship with their audiences in a far more engaged and meaningful way than they have in the past?

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10th Birthday list: My 10 (ok it's 11) favourite stage actresses plus who I'd really like to see on stage more

While there might not be quite as many meaty stage roles for actresses as there are actors (is that changing?) the plethora of acting talent I've seen over the past 10 years made this quite tricky to narrow down. Hence the list of 11 rather than a neat 10 (and presented in no particular order).

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Patsy Ferran in My Mum's a Twat, Royal Court Theatre. Photo by Helen Murray.

I've also added a few names I've only seen once or twice but really want to see do more stage work.

Who would you add, let me know in the comments?

1. Imelda Staunton

Who can forget Margaret in Good People or Martha in Who's Afraid Of Virginia Wolf? It's always a treat when she treads the boards.

2. Jade Anouka

She was the best Hotspur I've seen when Phyllida Law did her all-female Henry IV at the Donmar Warehouse. She also did a fantastic one-woman show at the fringe (Chef) and I still remember the bit of subtlety she brought to Jamie Lloyd's lively production of Dr Faustus.

3. Patsy Ferran

Patsy, Patsy, Patsy. Have seen her in fringe productions, small studio theatres, one-women shows and taking lead roles in classics which have ended up in the West End (and winning her awards). So pleased to see her career taking off and can't wait to see what she does next.

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Review: The treat that is Barber Shop Chronicles, streaming from the National Theatre archive

You can't beat the experience of sitting in a theatre watching a live performance but one of the lockdown-positives is a chance to watch stuff I sadly missed and Barber Shop Chronicles is one of those.

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It feels particularly fortuitous to see it because what is being streamed isn't an NT Live recording rather it was filmed for the archive* and these generally aren't for public consumption.

Despite watching Barber Shop Chronicles in isolation on my laptop you still get a sense of its vibrancy and its pulse.

Set in six different barber shops - London, Lagos, Johannesburg, Accra, Kampala and Harare - Inua Ellams' play showcases the similarities of human experience, desires and dreams across different cultures while simultaneously demonstrating what makes them unique and individual.

Over the course of a day, the barber shop-setting, combined with a big football match between Chelsea and Barcelona is a connecting thread on one level, the desire to belong and be seen is another.

The setting is clever, the barber shop functioning not merely as a place for haircuts and shaves but also a place of  (male) community where opinions are aired, arguments worked through and jokes swapped.

We hear differing opinions on parenting, masculinity, the post-colonialism landscape and immigration, which paints a vivid kaleidoscope of culture and thinking.

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10th Birthday list: My favourite theatre curtain call moments

I love curtain calls at the end of plays. It's a revealing time when characters are shaken off - or not - when faces perhaps show the person underneath the acting mask.

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View from the stage at the RSC Swan Theatre. Photo Rev Stan

They can also be a time of japes, fun and banter.

From time to time over the past 10 years of blogging I've mention curtain calls, they even have their own category in my end of year awards on occasions, so I decided to compile a list of  my favourites:

1. Only on the last night of the RSC's Richard II could the King (David Tennant) and his deposer Bolingbroke (Nigel Lindsay) have a final tussle for the crown. It was 2-0 to Bolingbroke in the end, David Tennant's curtain call lunge to take the golden circlet from Nigel Lindsay was not quite fast enough.

2. Another last night, this time the end of the run was all a bit too much for the cast of Mojo at the Harold Pinter Theatre. Daniel Mays looked like he'd been crying backstage and Ben Whishaw and Rupert Grint were fighting tears.

3. And another last night...Mark Strong couldn't hide his emotions at the end of A View From the Bridge at the Young Vic but instead of tears, he mouthed a satisfied 'yes' while making a fist.

4. At the curtain call of cold war drama Anna, National Theatre, there was a polite request from the cast who held up a series of cards which spelt out 'No Spoilers'.

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Theatre streaming: National Theatre announces four more brilliant plays to watch at home

When the National Theatre announced it was going to be streaming plays from its archive I had a wish list in my head of what I'd like to see or see again.

NT Live May June play streaming detailsAnd one of the ones that I really want to see again is Tom Hiddleston's Coriolanus at the Donmar Warehouse back in 2013.

It was a super hot ticket as the Donmar is such a small, intimate theatre - and TH was becoming a big-screen star then - and so I was chuffed to bits that I managed to get a pair of tickets.

The quality of the performances and the portrayal combined with the fact that I was sitting a few feet from the knee-level stage made this such a memorable production.

And then there is A Streetcar Named Desire starring the amazing Gillian Anderson and Ben Foster which was also on my 'love to see again' list.

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10th Birthday list: Best play I've seen for each of the last 10 years (or the agony to choose list)

So this month Rev Stan's Theatre blog is 10 years old. My first post was 18 April 2010, it took a couple of weeks before I was to post again but the marker was in the sand.

Various theatre tickets

I had lots of ideas for fun theatre nerdery to celebrate but the lockdown has clipped my wings a little bit as many of them involved actually be at the theatre.

But not to let a decade of theatre bloggery go by without marking the occasion I've got a few other things up my sleeve for the coming few weeks/months.

And to kick things off I've compiled a list of my favourite play for each year I've been blogging (I did my 10 best plays of the decade back in December).

It has been fun revisiting my best-of lists but absolutely agony narrowing each list down to just one, as you will see.

I'm still not 100% happy but here goes:

2010

I initially chose The Pride, Lucille Lortel Theater, New York which saw Ben Whishaw make his Broadway debut alongside Hugh Dancy and Andrea Riseborough but then I realised that technically I saw that in February 2010 before Rev Stan's Theatre blog was born. So I've reluctantly decided it doesn't count.

So my second choice is Clybourne Park, Royal Court Theatre. It's a play that set the benchmark for uncomfortable humour and one which I regularly reference when talking about superb dark comedies.

2011

Jeez, this was a tough one. This was the year I saw Jerusalem, Much Ado with Tennant and Tate and Collaborators, National Theatre to name just three. But with much soul-searching I'm going to choose Flare Path, Theatre Royal Haymarket because it was so beautiful and warm and sad and I'll always remember Sheridan Smith's trembling bottom lip and a brilliant early performance by Matthew Tennyson. Saw it more than once too.

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Theatre streaming announcement: National Theatre to show Frankenstein with Benedict Cumberbatch and Jonny Lee Miller

This stage production of Frankenstein was such a big deal when it was announced.

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Benedict Cumberbatch, Jonny Lee Miller and Danny Boyle at the National Theatre's Frankenstein post-show Q&A

Benedict Cumberbatch was just transitioning from jobbing actor into a screen-star and it was also a return to stage directing for Danny Boyle after a run of successful films including Slumdog Millionnaire.

But more than that, the play's two leads - BC being joined by Jonny Lee Miller - were going to alternate roles, taking it in turns to play the creature and Frankenstein.

I was lucky enough to see both versions on stage as well as attending the cast and director Q&A for charity.

Not one but two versions

Both versions of the casting are going to be streamed by the National Theatre starting with Benedict Cumberbatch as the creature on April 30 and you can find all the details here.

Can't wait to see them both again and it looks like there might be an opportunity to watch both versions back to back.

When in lockdown...

Did you see Frankenstein, looking forward to seeing it again?

Related reading:

Frankenstein charity Q&A highlights.

My review: First viewing with Jonny Lee Miller playing the creature

Theatre in the time of coronavirus - how to get your stage fix during the lockdown


Theatre streaming: National Theatre announces NT Live streaming from April

As soon as theatres went dark last week, my first thought was when the National Theatre would open up its NT Live archive and offer some productions for streaming.

NT Live logo

Well, it's happening, starting on 2 April, every Thursday at 7 pm an NT Live production will be streamed on YouTube.

There are 11 seasons worth of NT Live productions in the archive but people who know more than me about these things reckon it will only be plays from the which are already approved for use by schools. So this list here.

The first production to stream is One Man, Two Guvnors and you can find details of the rest of productions being streamed in April here on the National Theatre's website.

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