I've seen so many great plays this year (best of list coming soon) but occasionally there is play that doesn't work for me. I don't set out to dislike a play (why buy the ticket?) but not everything is to everyone's liking. The criteria for getting on this list is being memorable but not for good reasons. It generally has nothing to do with the acting or production but is usually the play itself. Some plays are good but easily forgotten so there is an achievement, of sorts, in making this list at least.
This double bill about the start and end of a relationship was so relentlessly bitter and joyless it made me worry for the writer, Steven Berkoff. I think, given my track record with Berkoff plays, I'm adding him to my list playwrights I don't get on with and should probably avoid.
Tom Stoppard expects a certain level of knowledge and familiarity with the historical figures and works of art and literature he features and most of the key characters I knew nothing about. I'm also not that familiar with Oscar Wilde's The Importance of Being Earnest which forms the heart of a key plot line. As a result I felt alienated from the narrative and the humour, it was like watching a play through a window. I'm fully prepared to put my hand up and say I'm not clever enough for Stoppard.