While there might not be quite as many meaty stage roles for actresses as there are actors (is that changing?) the plethora of acting talent I've seen over the past 10 years made this quite tricky to narrow down. Hence the list of 11 rather than a neat 10 (and presented in no particular order).

Patsy Ferran in My Mum's a Twat, Royal Court Theatre. Photo by Helen Murray.

I've also added a few names I've only seen once or twice but really want to see do more stage work.

Who would you add, let me know in the comments?

1. Imelda Staunton

Who can forget Margaret in Good People or Martha in Who's Afraid Of Virginia Wolf? It's always a treat when she treads the boards.

2. Jade Anouka

She was the best Hotspur I've seen when Phyllida Law did her all-female Henry IV at the Donmar Warehouse. She also did a fantastic one-woman show at the fringe (Chef) and I still remember the bit of subtlety she brought to Jamie Lloyd's lively production of Dr Faustus.

3. Patsy Ferran

Patsy, Patsy, Patsy. Have seen her in fringe productions, small studio theatres, one-women shows and taking lead roles in classics which have ended up in the West End (and winning her awards). So pleased to see her career taking off and can't wait to see what she does next.

The 2016 production of Mike Bartlett's play Wild at the Hampstead Theatre is available to watch online and here are my 60-seconds worth of thoughts recorded after watching last night.

You can see Wild via Hampstead Theatre's website all this week and if you'd like to read my review from 2016 you can find it here.

And if you want more theatre to watch online check out my list of the best of what has been announced so far.

Got a recommendation for a play being streamed either currently or scheduled in the coming weeks? Get in touch - I hate to miss out.

Maisie Williams is wearing the most amazing tights. They are a white, pink and blue Paisley pattern and are teamed with cut off denim shorts, stripey socks and a stripey long-sleeved top.

I & You, Hampstead Theatre. Photo Credit: Manuel Harlan

It's the sort of thing I imagine myself wearing if I were a teenager now and the boldness of her outfit more than matches her personality. 

She plays Caroline in Lauren Gunderson's play I and You, a High School student who is housebound because of prolonged illness.

When Anthony (Zach Wyatt) a student at her school turns up unexpectedly with an English Literature project they have to complete for the next day she isn't particularly friendly.

Caroline has lived with her own mortality for so long that she has got so good at not caring about it, she doesn't care about anything. She certainly doesn't want any sympathy. 

If like me, you are missing your theatre fix then next week you can watch Hampstead Theatre's 2018 production of I and You for free.

I & You, Hampstead Theatre. Photo by Manuel Harlan.

Directed by Ed Hall and starring Game of Throne's Maisie Williams and Zach Wyatt, Lauren Gunderson's play about youth, friendship and living life to the full and will be available on Instagram for 7 days.

The Hampstead production was specially performed, filmed and edited for Instagram’s mobile video platform IGTV, during its run at the theatre, and was previously broadcast for free from 30 November to 3 December 2018.

I & You, Hampstead Theatre. Photo: Manuel Harlan

It will be made available again on IGTV from 10 am Monday 23 March until 10 pm 29 March via @hampstead_theatre or @lalatellsastory (Lauren Gunderson).

Running Time: IGTV Video Part 1 - 30 minutes/IGTV Video Part 2 - 55 minutes

There is more and more theatre becoming available online either for free or via subscription and earlier this week I compiled a list of plays and some other theatre-related things to do.

I'm going to be updating it over the weekend as more stuff has subsequently become available, if I've missed something, let me know in the comments.

I & You, Hampstead Theatre. Photo: Manuel Harlan

I've set up a new category - Streaming - to make it easy to find your theatre entertainment while we are on social distancing rules.

Stay safe and well. We'll get through this x

As the halfway mark of 2018 rushes past, it's time to reflect on the highlights and low lights of London's theatre productions so far (edit: scroll to the bottom for the most read posts).

Julius Caesar warm-up gig, Bridge Theatre. Photo: Rev Stan

I'm not sure whether it's a reflection of more varied programming generally or just where my interests predominantly lie these days but it's a list dominated by women protagonists and BAME stories.

Best of the big stuff (West End and off West End)

Girls and Boys, Royal Court

Carey Mulligan's performance is a tour de force, precise, subtle and complex. It is a devastating and brilliant piece of theatre and it's transferred to the Minetta Lane Theatre in New York Theatre where it runs until July 22.

The York Realist, Donmar Warehouse

Like My Night With Reg crossed with God's Own Country and the steamiest flirtation on stage for a long while.

Julius Caesar, Bridge Theatre

Stuff with Ben Whishaw in it doesn't always make it into my best of lists but being part of the mob was at times like being at a rock concert, a rally and in the middle of a war - never thought I'd enjoy standing at the theatre.

The Great Wave, National Theatre

Had no prior knowledge about the true events this play is based on but it proved the adage that the truth really can be stranger than fiction.

Summer and Smoke, Almeida

The first of two appearances on this list for Patsy Ferran, Summer and Smoke was a delicate, yet tense and heartbreaking play and I'm so glad it's got a transfer to the West End. See ATG's official website for details.

A feisty, fast-paced play, that delivers some witty one liners and a whole lot to think about

When Sarah Burgess wrote her play Dry Powder about New York-based private equity company it was pre-Trump presidency and yet when I was watching the play I couldn't help thinking 'what would Donald do?'.

At the start of the play Rick's (Aidan McArdle) firm is going through a PR storm because the same day as laying off staff at a company he'd just bought, he threw a lavish engagement party.

Co-founder Seth (Tom Riley) has unearthed a bargain deal which he believes will put the company back in favour with the public eye: A troubled American suitcase manufacturer whom he believes that with the right management could get back on its feet and deliver a healthy return.

Profit or positive PR

His fellow co-founder Jenny (Hayley Atwell) has another plan, one that is less risky, will deliver better returns but won't deliver the positive PR as jobs won't be protected. Jenny doesn't care about PR, she cares about profit.

Seth has (developed?) a conscious about what he does, he wants to create more than profit, particularly given the firms damaged reputation. He's got to know Jeff (Joseph Balderrama), the CEO of the suitcase company and they are seemingly on the same page.

Prompted by the Daily Telegraph's rather uninspiring and quite frankly lazy list of upcoming theatre treats - three plays which have already opened? Oh come on - here's my list of what I'm already really excited about seeing in the first half of 2018*.

1. My Mum's A Twat, Royal Court Theatre - Patsy Ferran, I love Patsy Ferran and this is the first of two plays she's doing in 2018 and it's a solo piece *insert big smile here*

2. Julius Caesar, Bridge Theatre - Ben Whishaw playing Brutus alongside David Morrissey and Michelle Fairley and the chance to mingle with the Roman mob? Already booked to see it twice.

3. The Brothers Size, Young Vic - Written by Tarell Alvin McCraney who also penned Oscar best picture winner Moonlight (which I loved) and starring Sope Dirisu who was brilliant in One Night In Miami at the Donmar and the RSC's Coriolanus.

Overheard some people arguing at the interval as to whether Cell Mates would get any better. The detractor won and they left but they should have stayed because it did get a lot better.

Simon Gray's cold war comedy thriller is based loosely on real events surrounding double agent George Blake who was imprisoned for 42 years but escaped with the help of a petty criminal Sean Bourke whom he met at Wormwood Scrubs.

The first two acts focus on George (Geoffrey Streatfeild) and Sean (Emmet Byrne) meeting, striking up a sort of friendship and then the immediate aftermath of the escape.

Gray chooses to focus more on the relationship between the two men rather which left me curious about the breakout. 

But it also left me curious about their relationship as I wasn't wholly convinced why Sean was helping George.

via GIPHY 

2017 is already the year that brought us Andrew Scott's Hamlet, Jez Butterworth's The Ferryman and my introduction to playwright Branden Jacob-Jenkins and it's only six months in. There are a further nine plays I couldn't not include in my 'best of so far' list and that was with the bar set very high. I've still got Angels in America, Ben Whishaw in Against, Rory Kinnear in Young Marx and the awarding winning Oslo to come later this year, among many others potential theatre treats - the end of year list is already looking tricky to narrow down.

Anyway, here's what I've enjoyed the most in 2017 so far. Feel free to agree/disagree...

(In no particular order, because that would be too traumatic to do.)

1. Amadeus, National Theatre  This was supposed to be a 2016 play but I gave up my ticket for the early part of the run because of work pressures, good words from @PolyG made me rebook for January and I'm so glad I did. It was a play that unexpectedly floored me. It's returning next year and yes I've got a ticket.

2. Out Their On Fried Meat Ridge Road, White Bear Fringe theatre kicked off in fine style with this brilliantly warm, funny, odd, dark, misfit comedy that was the antidote to everything disturbing that was going on the world at the time. It transferred to Trafalgar Studios 2 and I got to enjoy it all over again.

3. Hamlet, Almeida  I've seen a lot of Hamlet's and there is usually something new in each but Andrew Scott's prince in Robert Icke's production made me look at the play with completely new eyes. Sorry Sherlock but this was a battle that Moriarty definitely won. It's transferred to the West End.

4. An Octoroon, Orange Tree Theatre  Was tipped off about American playwright Branden Jacob-Jenkins and this is the first of his plays I've seen. It's a play I could write reams and reams about and reminded me why I love going to the theatre. Gloria, another of his plays is currently on at Hampstead Theatre, it didn't quite make this list but it is still really good.

5. Rotterdam, Arts Theatre  This was in my 'best of' list last year but after a stint off Broadway it's come back to London to the bigger Arts Theatre. It made me laugh, it made me gasp and it made me cry - all that even though I've seen it before and knew exactly what was coming. That's why it's back on the list. It's on until 15 July.

6. Rosencrantz and Guildenstern Are Dead, Old Vic  It's possibly the only Tom Stoppard play I really like and this was a great production that was lively, entertaining, profound and melancholic . There was a brilliant rapport between the two leads - Daniel Radcliffe and Joshua McGuire - and David Haig as The Player was worth the ticket price alone.

Colin Morgan in Gloria at Hampstead Theatre photo by Marc Brenner

Spoiler free:

I work in an office and I work in publishing so there is definitely stuff to relate to in Branden Jacobs-Jenkins play which is set at the offices of a New York magazine. Naturally, there are some cultural differences, we don't tend to have cubicle workspaces here in the UK and perhaps favour a passive-aggressive tone rather than direct confrontation, but the tensions, annoyances and rivalries are pretty much the same.

What we get in Gloria is a portrait of human nature and relationships in a world of modern media, as told through the prism of office life, workplace tedium and ambition; and that portrait shows its true colours after a particular incident in the office.

Colin Morgan, Ellie Kendrick and Kae Alexander play editorial assistants Dean, Ani and Kendra at the magazine. They are young and ambitious, anxious to keep their careers moving. The presence of intern Miles (Bayo Gbadamosi) seems to bring out the best and worst of their ambitions, a symbol of just how far their careers have or haven't got. They measure their ambition in status: getting your own office and having an assistant and against what everyone else has or hasn't done - and how long they have or haven't done it.

The first half centre's on the morning after co-worker Gloria's (Sian Clifford) flat-warming party and the growing battle to write up the obituary profile of a pop star who has committed suicide. The second half is the fall out after the particular incident - more of which in the spoiler version below, but this is play probably best enjoyed knowing little of the actual plot.