117 posts categorized "Coming soon" Feed

Booking for James McAvoy's Cyrano de Bergerac - and a warning

Priority booking opened today for James McAvoy's next stage outing and the first of Jamie Lloyd's new season - Cyrano de Bergerac.

Good news is that there are thousands of tickets for first-time theatre visitors, key workers and under 30s.

Bad news if you don't fall into either of those categories, the ticket prices are particularly steep.

I ended up booking restricted view in the upper circle for £32 because anything closer was just too pricey.

The Playhouse has a reputation among regular theatre-goers for bad sightlines which doesn't make the 'cheaper' seats much better value but it is better than nothing and I'm hoping there might be some rush tickets or day seats so I can get a better seat.

Oh and this notice popped up before you buy the tickets, so you have been warned...ahem.

Cyrano de bergerac warning

Cyrano de Bergerac opens for previews at the end of November, for more details on dates and booking head to the ATG website.


James McAvoy is back on stage but it's not 100% good news

Love James McAvoy. It was only yesterday I was reminiscing about his knockout performance during a rehearsed reading.

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So any announcement that he is returning to the stage is exciting. Except that Martin Crimp, writer of two of my least favourite plays, is involved.

The silver lining is that it's an adaptation, not his own play.

I'm still reeling from having endured When We Have Sufficiently Tortured Each Other earlier this year, not least because that will forever be the first (maybe only) play I've seen Cate Blanchett in.

Minimal harm?

The vehicle for McAvoy's next stage outing is Edmond Rostand's classic play, Cyrano de Bergerac. How much harm can Crimp do?

Jamie Lloyd is directing which is definitely a plus. He and McAvoy have worked together a number of times before. 

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Three ways to see Fleabag in the West End (and beyond) for less than £20

If you weren't lucky enough to see Phoebe Waller-Bridge's play Fleabag before it became a TV series and really famous then there is another chance.

Fleabag.-Phoebe-Waller-Bridge-Credit-Jason-Hetherington
Fleabag: Phoebe Waller-Bridge. Photo: Jason Hetherington

Tickets for the West End run at the Wyndhams in the Autumn are going like hot cakes but there are other ways to get tickets - and at a more palatable price.

1. Online lottery - 50 seats at £15 will be available for every performance via TodayTix
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2. Standing tickets - A limited number of £10 standing tickets will be available from the Wyndham’s Theatre box office on the day of each performance

3 Live broadcast - Fleabag will be broadcast live to cinemas around the UK and internationally on 12 September with National Theatre Live.  


Fleabag is at the Wyndhams Theatre from 20 August to 14 September.

And yes, I can smuggly say, I did see Fleabag before it was famous. Not at the Edinburgh Fringe but upstairs at the Soho Theatre when it transferred and I remember it vividly and fondly.

My thoughts on it can be found here.


Coming soon klaxon...a fringe play you should see

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One of the highlights of my trip to the Edinburgh Fringe last year was Nouveau Riché's Queens of Sheba.

It was an exhilarating watch and sparked a strong emotional response so I'm chuffed to see that it is touring the country in the Autumn.

Details of the tour can be found here and if you are London-based, like me, then Queens of Sheba will be at the Battersea Arts Centre 18-23 November.

It's a show I can't recommend enough and if you want to know more, you can read my review here.


Jake Gyllenhaal returns to the London stage...and a tale of how Poly just gets me.

You have to understand that I've been a fan of Jake Gyllenhaal's since seeing the film Donnie Darko 18 years ago.

He has appeared on stage in London before but that was back in my non-theatre going days. Hard to believe but they did exist.

I've waited a long time for him to return now that I'm a theatre-goer again. And he is back, in Sunday in the Park With George.

A musical. A musical. I hate musicals. You can read why here, although since writing that post I've realised that I also don't like songs as a form of narrative. I find it difficult to engage with them.

Musicals get under my skin in an irritating way.

Had to leave

I lasted 20 minutes into Hugh Jackman's The Greatest Showman before I had to leave the cinema.

Three songs for Rocketman.

See I do try.

Would I be able to overcome my dislike of musicals for Jake?

Continue reading "Jake Gyllenhaal returns to the London stage...and a tale of how Poly just gets me." »


Equus returns to the London stage - the play that reignited my theatre obsession

A blast from my theatre-going past landed in my inbox today: A production of Equus at the Trafalgar Studios this summer.

Ethan Kai as Alan Strang in Equus. Photographer Credit - The Other Richard
Ethan Kai as Alan Strang in Equus. Photo: The Other Richard

It's a transfer of English Touring Theatre and Theatre Royal Stratford East's production and the play holds a special place in my heart because it is responsible for reigniting my love of theatre.

The Daniel Radcliffe and Richard Griffith's starring production of 2007 was the first piece of theatre I'd seen in about 15 years and it reminded me why I loved going to the theatre.

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National Theatre Live Trailer: Sally Field and Bill Pullman All My Sons, Old Vic - does it do the play justice?

Trailers for plays are generally a bit rubbish, aren't they? Film trailers give too much away and play trailers often tell you virtually nothing.

This trailer for the National Theatre Live screening of All My Sons at the Old Vic feels like a small step in the right direction - I wonder whether the fact that it will be shown alongside film trailers in cinemas to promote the event has focused attention on its purpose?

There is a hint of the story - family tension/marital tension - but if you know nothing about the play would it intrigue you enough to want to see it?

Or is the Old Vic and National Theatre Live relying on the star pull of Sally Field and Bill Pullman?

This is a play about truth, lies, love, loss and fatal decisions and you get little of that.

What do you think?

 


Some starry West End casting news to round off the week

She may be in a distinctly chilly New York but that didn't stop @polyg spotting the announcement that one of my favourite actors, Clive Owen, is taking to the West End stage in the Summer.

His last stage outing pre-dates my obsession with theatre but I've been a huge fan of his screen work since Chancer and Close My Eyes back in the early 90s.

To make this announcement even more exciting he is co-starring alongside the fantastic Lia Williams and it's a Tennessee Williams play I've yet to see - The Night of the Iguana.

It opens on 6 July at the Noel Coward Theatre with tickets on sale from Feb 5 according to What's On Stage.

But there is more.

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Happy New Theatre Year: 9 plays I'm particularly looking forward to seeing in 2019

Starting off 2019 with plenty of theatre in the diary, these are the nine plays I'm particularly looking forward to seeing (in date order):

RG-3X9vs_400x400Kompromat, Vault Festival (23-27 Jan)

What the website says: Inspired by the still-unsolved 2010 murder of GCHQ agent Gareth Williams, Kompromat is a tense drama of double agents and our capacity for self-deception played out against a high-stakes game of love.

Why I'm excited: Having read an early draft a couple of years ago and then attended a rehearsed reading at the Arcola I've got a good feel for what this might be like.

Tartuffe, National Theatre (9 Feb-30 Apr)

What the website says: A scalpel-sharp comedy looking at the lengths we go to find meaning – and what happens when we find chaos instead.

Why I'm excited: Tartuffe is one of the classics I've long wanted to see, John Donnelly has done the adaptation and Olivia Williams is in it. I love Olivia Williams.

Jesus Hopped The 'A' Train, Young Vic (14 Feb-30 Mar)

What the website says: From Pulitzer Prize winner Stephen Adly Guirgis (The Motherfucker with the Hat), comes this critically-acclaimed dark comedy about the American justice system and the contradictory nature of faith. 

Why I'm excited: I loved The Motherfucker With the Hat when I saw it in 2015 at the National and I've been waiting for another Stephen Adly Guirgis play to hit London ever since.

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2018 theatre review: My favourite plays of the year (and my first six star play)

So I've published my favourite fringe plays list and my least favourite plays list, time now for my best plays of 2018 overall, gleaned from everything I've seen - large productions and small, commercial theatres, subsidised and fringe:

via GIPHY

Misty, Trafalgar Studios

A play which put the pulse back into the West End and as a result was a breath of fresh air.

A Monster Calls, Old Vic

I was nervous about seeing a stage adaptation of a much-loved book but the creativity with which it was staged combined with the performances meant I was an emotional wreck by the end. So much of an emotional wreck, I had to walk around for a bit afterwards to compose myself.

Queens of Sheba, Underbelly, Edinburgh Fringe

A play about the dual prejudice of sexism and racism encountered by black women that succeeded in being both angry, uplifting and empowering.

It left me feeling teary in a happy/sad/exhilarated way and ready to march if the call came.

There is another chance to see it at the New Diorama Theatre, Jan 30-Feb 3 as part of the Vault Festival.

Notes from the Field, Royal Court

It was an uncomfortable, seat-squirming, horrifying joy to sit and experience and I gave it an unprecedented six stars. Yes, six stars.

Continue reading "2018 theatre review: My favourite plays of the year (and my first six star play)" »