Serkan Avlik and Ojan Genc in Ostan, Park Theatre. Photo Jack Bush

Arzhang Pezhman's play Ostan is set in a car wash where owner Shapur (Dana Haqjoo) employs asylum seekers. Rebin (Ojan Genc) doggedly chases progress on his application for indefinite leave while trying to train newbie Gorkem (Serkan Avlik) how to use all the different cleaning products.

The car wash faces stiff competition, and Shapur is not happy with the amount of money it is making. The financial situation is not helped by customers like Noah (El Anthony), who don't always have the money to hand to pay.

Performed in Park Theatre's smaller space, with the audience on either side, the small stage is busy with its car wash set and characters coming and going.

The story is also busy. There are the car wash's struggles, asylum struggles, cultural clashes and racial tensions, and a side-line in people smuggling. There is also Gorkem's fledgling rap career and online computer gaming obsessions.

Conversations primarily take place in the car wash, but there are also a lot of one-sided phone calls and chatting through headsets while gaming.

The latter is performed among the audience, with Noah and Rebin sitting on either side of the stage in the back row. A screen hanging above the performance space shows snippets of the game they are playing.

The National Theatre has given its new production of Coriolanus an epic feel. The stage has a series of huge concrete-looking columns which rise and fall to create different spaces in and around which the action is set.

Ancient artefacts are dotted around, sometimes giving the feel of a modern museum, which is a visual representation of how the production blends old and new. It has one foot in the past and another in the present.

Coriolanus (David Oyelowo), the soldier extraordinaire who has delivered so many victories for Rome, is admired and revered by the elite and common people alike until he does something which is seen as disrespectful. 

He 'disses' his fans, if you like, and they turn on him, egged on by the tribunes Sicinius (Stephanie Street) and Brutus (Jordan Metcalfe).

Their punishment is to banish him. But it is something they quickly regret when their former hero sets out on a path of revenge.

The costumes have a quasi-modern look, but there are no other modern references. And yet, Coriolanus' treatment, how he is raised up and objectified by his 'fans' only to be brought down by the same, has resonance with social and tabloid media now. He gets 'cancelled'.

Threadbare Theatre's Offroading, Old Red Lion Theatre

Offroading at the Old Red Lion is an opposites-attract comedy-drama in which the couple's relationship and their imagined futures are tested.

Writer Lucy Linger tells the story through the eyes of Steve (Owen Frost), who recounts his memories of meeting and falling in love with Jane (Elise Verney).

Steve is steady, middle-of-the-road, plodding contentedly through life. He is still in his graduate job after 10 years and still living with his parents. Jane blows like a whirlwind into his life; she is free-spirited, impulsive, bohemian and doesn't like to lay down roots.

Their awkward first meeting is in a pub. Steve is nervously waiting for his blind date to show up and mistakes Jane for the person he is meeting.

It's a slow-burn relationship, frustratingly so for Steve who has been enamoured with Jane pretty much from the start.

But despite their differences and a few bumps, it seems to work. That is until they face a bigger challenge, which throws their differences into stark relief. It turns their differences from quirks to irks and throws into question the paths they see themselves on.

Owen Frost's Steve regularly talks directly to the audience, giving his impressions of the relationship and commentary that comes with the benefit of hindsight.

The two actors spark in their scenes together, convincing as a mismatched couple. The first half bobs along, buoyed by plenty of light humour and wit.