Review: The Constituent, Old Vic - promises, promises
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Review: George, Omnibus Theatre - gender identity in the 19th century

George Omnibus Theatre

REVIEW: George Sand (Léa des Garets), a successful French novelist, has writer's block. It's 1839, and she's both lauded by the press for her work and pilloried for her lifestyle choices. She likes to wear men's suits and has many lovers.

Strapped for cash, she's asked to write a play, so she creates a story about a woman raised as a man called Gabriel by her Grandfather in an attempt to avoid an inheritance going to a distant male relative.

Léa des Garet's play is inspired by the real George Sand, a French writer who sold more books than her male contemporaries, Victor Hugo and Honoré Balzac. She also lived a life that challenged the prescribed norms of French society.

George, the play, has parallel narratives: George, under pressure, writing the play with the help of her actress lover Marie (Iniki Mariano) and Gabriel's story, learning the truth about her upbringing and how she subsequently wants to live her life.

They weave together seamlessly. Léa des Garets also plays Gabriel, and Iniki Mariano takes on the role of Gabriel's male cousin.

Both reflect the prejudices of society towards gender and identity and the hypocrisy at play, particularly when it comes to money. George supports her husband financially, yet she isn't afforded the same rights he has as a man.

A backlash from her agent about Gabriel's ending exposes these prejudices further, and George has to decide whether to compromise what she wants the play to say or consign her work to a draw.

There are parallels with the current gender debate and arguments here, too, about how audiences interpret work and how much you should determine what they like and will accept.

George, the play, uses a gauzy backdrop both as a modesty barrier for quick changes (a clothes rack also does a similar job) and is sometimes backlit to silhouette performers, creating human shadow puppets.

Connor Dumbrell takes on most male roles and delivers George's agent with a hint of hamminess, adding lighter moments. 

The mix of styles works well, although there are a couple of points where the narrative drive stalls, slowing the pace.

I'd never heard of George Sand, and this play cleverly weaves together the writer's story and her first play while making a point about the freedom and prejudices that surround gender identity.

I'm giving it ⭐️⭐️⭐️⭐️.

Want to know more about George Sand and the inspiration for the play? Read my interview with Léa des Garets here.

George, Omnibus Theatre

Written by Léa des Garets

Directed by Rute Costa

Cast: Léa des Garet, Iniki Mariano & Connor Dumbrell

Running time: 95 minutes without an interval.

Booking until 14 July; for more information and to buy tickets, visit the Omnibus website.

Recently reviewed:

The Constituent, Old Vic Theatre ⭐️⭐️⭐️ booking until 10 August

The Bounds, Royal Court ⭐️⭐️⭐️ booking until 13 July

Romeo & Juliet, Duke of York's Theatre ⭐️⭐️⭐️⭐️ booking until 3 August.

🎥 Check out my YouTube channel for short video reviews and interviews with writers, directors and actors.

 

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