Hamlet, starring Billy Howle, a live recording from Bristol Old Vic

The fat has been cut from this Bristol Old Vic production of Hamlet, leaving the meat of the play. There is no Fortinbras subplot, the ghost and player scenes are stripped to the bare essentials.

It's a minimalist, stark modern set, just doors and a staircase - although the way it is filmed, you don't get to appreciate it in perhaps the same way you would watching it at the theatre. What you do get is the close-ups of the actors.

The only face you don't see is the ghost which is an interesting choice; Hamlet (Billy Howle) doesn't doubt for a second this cloaked, hooded figure is his father, but is it? Does he just want it to be?

Howle's Hamlet, in this trimmed play, becomes a man of action; there is little room for confirmation, doubt and indecision. In fact, he is manic, angry and enraged - mad in purpose or a loose canon?

This contrasts with the cool, quiet of Finbar Lynch's Claudius. If he didn't confess, you wouldn't believe he had a hand in Old Hamlet's murder rather, he is protecting the realm from an heir who swings from irritating to unhinged.

Dyllón Burnside and Danny Lee Wynter in BLACK SUPERHERO, Royal Court, March 2023. Photo: Johan Persson

"I'm holding out for a hero" is Bonnie Tyler's famous song, and it could be the theme tune for David (Danny Lee Wynter) in BLACK SUPERHERO. He's long held a torch for friend King (Dyllón Burnside), who is playing superhero Craw in a low-brow movie franchise.

"I trained at Julliard," he moans while secretly enjoying being recognised.

When King reveals that he and his travel-writer husband Steven (Ben Allen) have decided on an open relationship, David is a beneficiary of King's new liberal sleeping arrangements.

But can David keep himself together long enough not to screw up the one thing he's dreamed about?

Danny Lee Wynter's debut play bursts onto the stage with banter and bitching between David, his sister Syd (Rochenda Sandall) and friend Raheem (Eloka Ivo), who are supposed to be on a night out with King.

Sharp and witty

It sets a crisp pace and witty tone with sharp one-liners as relationships and sex - particularly each other's - getting dissected.

Cyril Nri and Kirsty Rider in Further than the Furthest Thing at Young Vic March 2023. Photo:(c) Marc Brenner

In Shakespeare's Island play The Tempest, Caliban says: "Be not afeared, the isle is full of noises" should the inhabitants of the remote Atlantic island in Zinnie Harris' play be afraid of the noise under the water or something else?

The noise is undoubtedly distracting Bill (Cyril Nri) from the arrival home of nephew Francis (Archie Madekwe), who has been off-island in Cape Town for months. But Bill does seem to have a demeanour of general anxiety and mild panic - is it a result of past events?

Based loosely on actual events on Tristan da Cunha, the most remote inhabited island in the world, the island of the play offers a simple life where everyone has a patch of land and subsists on what they grow or catch, plus what supplies the occasional boat brings.

Francis' return from Cape Town is an exciting time for his Aunt Mill (Jenna Russell), it's an opportunity to tell him about all the things he's missed, and maybe he's brought some sugar.

The inhabitants have a particular way of speaking with a mixture of accents, there's Scottish, Irish and West Country in there: "How can an h'egg be as bad luck?"

It is both familiar and strange, the people quaint - but theirs is a peculiar life, mostly cut off from the rest of the world.

Francis doesn't bring sugar back to the island,  he brings a stranger, Mr Hansen (Gerald Kyd), a South African businessman who can do sleight-of-hand magic tricks. He wants to build a factory.

Will Close is the Mediocre White Male, King's Head Theatre March 2023

The mediocre white male of the title, or MWM as he's referred to by a colleague, is angry. His school friends have moved on, and he's stuck playing a talking statue at the local stately home.

To make matters worse, he's been sent on a gender awareness course for referring to his female colleagues as 'girls'.

He yearns for the past when life was simpler, there was banter, and he knew where he stood.

But this isn't a story of unfulfilled ambition and navigating a world that is "politically correct". Well, it is, but over the course of an hour, our MWM (played by Will Close) reveals more and more about himself that sheds him in a different light.

He is a man who doesn't take rejection well or accept responsibility. He's also incapable of understanding a different perspective. MWM is prone to using phrases like 'nobody told me' and 'how was I supposed to know'.

Annabel Leventon and Tim Hardy in The Journey to Venice, Finborough Theatre, Mar 23. Photo: Simon Annand

What do you do when your escape mechanism from the pain of past events is no longer available to you?

Edith (Annabel Leventon) and Oscar Tellman (Tim Hardy) enjoyed travelling when they were younger and able. It was diverting - a distraction. But now, in their later years, their bodies and budget don't allow them to venture far outside their flat. So they improvise.

Bjorg Vik's play invites you into the world of Edith and Oscar, and it is a world full of literature, poetry, imagination, and pretend travels.

There is teasing, laughter, vivid recollections, sensible shoes and packed lunches. So evocative are their recreated trips that plumber Christopher (Nathan Welsh) and home help Charlotte (Vivian) both get drawn in, 'travelling' with them to Venice.