Review: Amy Adams in The Glass Menagerie, Duke of Yorks Theatre - bright sparks but too many questions
Director Jeremy Herrin has chosen to have two actors playing Tom Wingfield in The Glass Menagerie so that when he is acting as narrator, it is an older, maturer Tom.
This older Tom, played by Paul Hilton, sets a reflective, melancholy, almost listless tone to the play, but while he hovers around the edges of the stage during certain scenes, where he is absent, it serves to emphasise that this story is his interpretation of events and sometimes conjecture. Tom Glynn-Carney plays the younger Tom.
Amy Adams' Amanda is the antithesis, a matriarch full of bustle and bristle and constantly needling her children.
She is an irritating spark to her despondent and bored son and pushes her shy, nervous daughter Laura (Lizzie Annis) further into her own world. And, she is such a spark that you feel Amanda's absence when she is on stage.
As the play progresses and the prospect of a 'gentleman caller' gets closer, a youthful coquettishness comes out. Adams' Amanda is less a mother concerned about her daughter's future and more someone living out a fantasy rooted in much happier times.
For me, the problem scene was when Laura was alone with her gentlemen caller Jim (Victor Alli). It feels, tonally, as if it's from a different play. Is that the intention? Not having been there, this scene is very much from the imagination of Tom or what the quiet and mentally fragile Laura chooses to relay.
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