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September 2020

Happy 50th birthday Young Vic: A few of my favourite productions

The Young Vic is celebrating its 50th birthday and while I've only been visiting since 2007-ish, I've seen many fantastic and memorable plays there in that time.

Young Vic neon sign
Photo: Rev Stan

It's one of my favourite theatres, partly because of the variety of work it puts on, partly because the space is so flexible you never know what to expect and partly because it just has a cool vibe.

So I've been on a bit of a trip down memory lane and dug through my archives to pick out some of my favourite productions.

Happy Birthday Young Vic, hope to be back watching plays again soon...

Jesus Hopped The 'A' train, 2019

Genius writing by Stephen Adly Guirgis and the cast didn't waste a word of it. The play took you in an unexpected direction and left you questioning your thoughts and reactions.

The Inheritance, 2018

Aside from being an epic two-parter which is full of laughter and pathos, I also have a fondness for this play and production because I saw it on my birthday. (And I prefer it to Angels in America but shhh don't tell anyone.)

My Name is Rachel Corrie, 2017

A fantastic solo performance by Erin Doherty, and a story that simultaneously gave you faith in mankind and utter despair.

Yerma, 2016

Inventive staging, 'magical' scene changes, a contemporary spin on a classic that worked brilliantly - and Billie Piper.

A Song From Far Away, 2015

The first word that came out of my mouth after watching this Simon Stephens play was "fuck" - for good reasons.

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Review: Andrew Scott in Three Kings - a master in storytelling, compelling and gripping

If you've ever seen Andrew Scott perform Simon Stephens' monologue Sea Wall you'll know he is a master storyteller, deftly lifting words off the page and turning them into something compelling and gripping.

Andrew Scott Three Kings start

Three Kings, beautifully written by Stephen Beresford, gives him even more scope to sprinkle his performance magic.

Created especially for the Old Vic's In Camera, it is described as a scratch performance but only the lack of embellishments like set and fancy lighting give any sign of this. 

And who needs any of that anyway when you've got 60 minutes of you and Andrew Scott, albeit seen from the other side of a screen.

Funny and heartbreaking

Like Sea Wall, the power is in the story as it is told. And it is a powerful piece Scott drawing out the humour and heartache in equal measure.

Three Kings is about the relationship between a son and his an estranged father.

He meets him briefly at 8 years old but the meeting leaves an indelible mark which will go on shaping their relationship for many years.

His father leaves him a challenge of solving a puzzle involving three coins - the Three Kings of the title.

But it more than a simple test of puzzle-solving, solving this puzzle is hugely weighted.

Continue reading "Review: Andrew Scott in Three Kings - a master in storytelling, compelling and gripping" »


Uncle Vanya with Toby Jones & Richard Armitage is back...in a special filmed version

I saw Uncle Vanya starring Toby Jones and Richard Armitage at the Harold Pinter Theatre at the beginning of March and loved it so much I was going to try and get another ticket but then lockdown happened.

Uncle Vanya (c) Photography Seamus Ryan and Artwork Muse Creative Communications
Uncle Vanya (c) Photography Seamus Ryan and Artwork Muse Creative Communications

Much excitement then that the production is coming back. It's been filmed on stage with almost the entire original cast (Roger Allam is stepping in for Ciaran Hinds). 

It's not a straight-forward film version of the stage production instead it has been directed for the screen by Ross MacGibbon in "a sumptuous re-interpretation of Ian Rickson’s stage production".

The filming took place under strict Covid-19 secure, independently drawn up protocols, with the cast self-isolating and undergoing regular tests and the crew in masks, PPE and socially distancing throughout the process.

It will have a cinematic release before being broadcast by the BBC.

For more details head to https://unclevanyaplay.com/.

Can't wait to see it again in this new version.

It will be interesting to see if other productions that had to close follow suit. What would you like to see back in a filmed version?

Related reading:

Review: Richard Armitage 'magnetic', Toby Jones 'endearing', Aimee Lou Wood 'adorable'