Review: NoFit State's Lexicon, Roundhouse - a few nail-biting thrills and an air of carefree fun and mischief
Review: The Co-op, White Bear Theatre, Kennington - fun, if sometimes clunky comedy

Review: Lullabies For The Lost, Old Red Lion - emotionally vivid and powerful but a problem ending

Lullabies For the Lost is one of two plays by Rosalind Blessed about mental health that are being performed in rep at the Old Red Lion.

Rosalind Blessed and cast  Lullabies for the Lost  courtesy of Adam Trigg
Rosalind Blessed and cast Lullabies for the Lost, Old Red Lion Theatre. Photo: Adam Trigg

It starts with Larry (Chris Porter) agonising about going out to dinner with his friends, as the clock ticks closer to the time he needs to leave.

His dilemma is nothing to do with the company but his anxiety about social situations and he tests out excuses for why he isn't able to go - which raise a few laughs - but it is nonetheless heartbreaking to see the pain his anxiety causes.

And there is a lot of that in Lullabies for the Lost as it cycles through 8 stories of different mental health conditions - depression, anorexia, bulimia, chronic low self-esteem, hoarding, among others.

Lighter moments

Some of the stories are harrowing but some show a more humorous side bringing lighter moments. 

Blessed has the sufferers stuck in a white room, doomed to retell their stories until they can find the key that will unlock their condition - let them back out into the world.

'We have to solve our riddles.'

The room feels like a slightly clunky device and the conversations between its occupants - a mixture of bickering and encouragement - adds little to the overall narrative or tension.

Chris Porter  Lullabies for the Lost  courtesy of Adam Trigg (5)
Chris Porter in Lullabies for the Lost, Old Red Lion Theatre. Photo by Adam Trigg.


But the stories themselves are emotionally vivid, offering powerful insight into the suffering and pain.

In some of the stories, there are hints and clues as to possible triggers for mental health breakdowns - miscarriages, bad relationships etc - but for others, there are not.

Rather, we hear about how certain conditions manifest in certain behaviours and how it feels.

Problem ending

My problem with the play is the ending and the 'solution', the key to their release which, given the complexity of these mental illnesses, felt dismissively simple.

It undermined the severity of the conditions and the struggles and I'm not sure what message that leaves about people with mental health problems.

Lullabies for the Lost is at the Old Red Lion in rep with The Delight of Dogs and the Problems of People until 1 February.

It is 1 hour and 45 minutes with a 15-minute interval and I'm giving it ⭐️⭐️⭐️.

You might also like to read:

Recent review: NoFit State Circus' Lexicon, Roundhouse - more fun and mischief than thrilling feats.

Quick video review: Duchess of Malfi at the Almeida Theatre.

From the archive: Six things that get me to the theatre.

 

 

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