Interview: "It's a bit like being in an episode of The Thick of It... set in 1979" - Owen Kingston on his new immersive show.
Review: Crisis? What Crisis? Colab Factory - Parabolic Theatre's political role-playing in the winter of discontent

Review: On Bear Ridge, Royal Court - heart-wrenching, tense and laugh out loud funny

There is a vulnerability in the ordinariness and something epic in its simplicity. 

On Bear Ridge by the NTW and Royal Court Theatre Photo by Mark Douet I80A8399
Rhys Ifans and Rakie Ayola in On Bear Ridge by the NTW and Royal Court Theatre. Photo by Mark Douet


Warplanes occasionally roar across the sky above John Daniel (Rhys Ifans) and Noni's (Rakie Ayola) grocery store and butchers on Bear Ridge.

They wave knives and shout at them because it makes them feel better. Then the quiet of the falling snow returns.

It is reflective of the tone of Ed Thomas' play On Bear Ridge, emotions that momentarily crack and shatter before a jagged peace returns.

Up in the mountain, in an unidentified country - although it is easy to imagine it is Wales - Bear Ridge store has long ceased trading.

Customers and community have left

It's shelves empty, the fridge is quiet, John Daniel and Noni are down to their last bag of potatoes but they won't leave like the people who were once their customers have.

Grief and loss keep them on the desolate Bear Ridge. Loss of their son, loss of the community in which they were a part and loss of a language - a culture and identity.

On Bear Ridge by the NTW and Royal Court Theatre Photo by Mark Douet 650A4017
Sion Daniel Young in On Bear Ridge by the NTW and Royal Court Theatre. Photo by Mark Douet


All they have are their memories but even those, like the structure of the store, are deconstructing.

Ifan William (Sion Daniel Young), their slaughterman pops up from a trap door in the floor to give progress on a jigsaw and a sense of routine. 

The appearance of war-weary, PTSD-suffering The Captain (Jason Hughes) brings the outside world knocking but he soon finds their own world has opened up to receive him.

Thomas' script is at times beautifully poetic and devastatingly descriptive. It captures the beauty of belonging and humanity whilst simultaneously describing an external world that has crumbled into war, decay and mistrust.

On Bear Ridge by the NTW and Royal Court Theatre Photo by Mark Douet 650A4349
Jason Hughes, Rhys Ifans and Rakie Ayola in On Bear Ridge by the NTW and Royal Court Theatre Photo by Mark Douet

Poetic passages are interspersed with conversation and quips in a vernacular that is equally rich and revealing. There is a vulnerability in the ordinariness and something epic in its simplicity. 

It is not always an easy play to access; it is a play of ideas, metaphors and feelings as much as a story and it wouldn't be half the play without the precision of the performances.

Ifans in particular lifts meaning from between the words and in the quieter contemplative moments.

A surreal, existential tragi-comedy On Bear Ridge is at times tense, laugh out loud funny and heart-wrenchingly sad.

A joint production between the Royal Court and National Theatre Wales, I'm giving it ⭐️⭐️⭐️⭐️.

It's 85 minutes long without an interval and is at the Royal Court Theatre until 23 November.

You might also like to read:

Interview: "It's a bit like being in an episode of The Thick of It...set in 1979" - Director Owen Kingston talks about his latest immersive show.

Review: A Day In The Death of Joe Egg, Trafalgar Studios - old attitudes and familiar struggles (until Nov 30).

From the archive: The provincial Hamlet that proved a breeding ground for big stars (including Rhys Ifans)

Comments