Fiona Doyle's relationship drama is told in fragments that jump back and forward through time. A man in his 40s (Mark Rose) and a woman in her 20s (Tia Bannon) meet at Berlin airport and strike up a relationship. They travel to bucket-list destinations, celebrate an anniversary and things fall apart.

The set of stacked boxes at the back of the stage is used cleverly as the scenes and locations change but the narrative falls down because the characters are too nebulous, too sketchy. You get hints and clues but not enough to really form a picture of who these people are and what motivates them. In order to understand the relationship's ultimate failure you need more of an understanding of the people themselves.

There are hints of the woman's childhood experiences and hints of her motives for being in the relationship, hints of more complex emotional forces and experiences at play but not enough to help you to fill in the gaps and form a proper picture. Instead, you get a woman who is volatile and needy but you aren't sure why. The man is even more of an enigma. We know he has a bucket list of places to visit and he seems a kind, gentle sort of person but not much else. Perhaps there was more that I missed as it wasn't always easy to hear what Mark Rose was saying.

What you get is a jumble of exchanges that are a clunky mix of poetic, philosophical and banal. It builds to a scene which would be more at home in a thriller but given how little you know about these people it comes across as just odd.

After 60 minutes I was left scratching my head none the wiser about the two people whose relationship I'd just watch unfold. It's two stars from me and runs at The Bunker until Feb 4.