That was July in London Theatre-land
Review: Daniel Portman and Lily Loveless in The Collector, The Vaults

Another knock out performance from Billie Piper in Yerma, Young Vic

Yerma-Sq326REVIEW: There was an occasional drip of water onto the stage during Yerma. It was a leak rather than part of the staging, an indicator of what was to come - the drip being to rain what a gun prop is to a gun shot. And, inadvertently, it was an appropriate omen for a play about a woman who wants children but whose difficulty in conceiving leads her down a dark and stormy path.

This is a contemporary version of Lorca's 1930's play by Australian Simon Stone who also directs. The subject matter transfers really well to the 21st century - in fact there is arguably more to explore around the topic given that IVF is now an option and couples can have tests to find out if there are fertility problems.

Stone's production is also contemporary. He puts the actors in a glass oblong like they are specimens trapped between pieces of glass for the audience to examine. The play is divided up into chapters with a black out for the very clever scene changes.

Billie Piper plays the protagonist - although she is never referred to by name - with Australian actor Brendan Cowell as her husband 'John'. They are a liberal, middle-class hipster couple. He does something which involves jetting off to client meetings and she's a journalist with a successful lifestyle blog. They buy a big house in a dodgy neighbourhood and she wants to fill it with a couple of kids.

They have the sort of relationship where they talk openly with each other about sex, teasing each other about their preferences. It is an openness and honesty that gets challenged and tested as she gets more desperate to have children. Turning to her blog to talk about her feelings adds to the strain on their relationship as does her sister (Charlotte Randle) getting pregnant and the arrival of an ex-lover. It adds layers of tension as she grows ever more frustrated with her and John's inability to conceive.

The gradual transition from a lively, sassy and happy 'she' to desperate, obsessed and manically destructive is expertly done and her behaviour grows increasingly harrowing to watch. There are fantastic supporting performances too from Brendan Cowell, Charlotte Randle and Maureen Beattie as the reluctant mother and Thalissa Teixeira as 'her's' young intern.

Lorca's original leaves question marks over Yerma's husbands desire for children and here it feels that gets a little bit sidelined but it doesn't actually matter as what Stone adds gives a fresh and interesting dimension to the tale. I'm giving Yerma five stars, it's one hour and 45 minutes long without an interval and runs at the Young Vic until 24 September.