Possibly my favourite Hamlet... so far... thanks to the RSC and Paapa Essiedu (Royal Shakespeare Theatre)
I've seen Hamlet more times than any other play. I think my most recent trip to see Paapa Essiedu as the prince - directed by Simon Godwin for the RSC in Stratford - was my 15th different production.
In a good Hamlet I'll see something I haven't seen before or it will make me think about the play in a slightly different way. I've seen some really, really good productions but there is usually one or two characters or something else that hasn't quite worked for me. Ophelia is often a problem, she's a difficult character to make convincing. But I think this RSC version has come very close to getting it all right.
Production spoilers warning
First of all, the key characters felt rounded, fully formed and fleshed out, understandable and convincing - from Hamlet to Horatio. Simon Godwin has set the play in modern day Africa and stuck to that setting and culture throughout but crucially without any awkward contrivance. When Hamlet and Laertes fight armed with two sticks, the poisoned blade is concealed within one of them. It works brilliantly.
But I'm jumping ahead to the end of the play. Paapa Essiedu is a young Hamlet which is always more agreeable and Simon Godwin opens with his graduation. He's with his friends, happy and no doubt feeling on top of the world and a world away from Elsinore where we see him next sombrely following his father's glass coffin. He is visibly upset when we see him in the throne room with his mother and newly crowned uncle - Ben Whishaw was similarly snotty and teary - and you feel his grief, shock and bewilderment about the turn of events.