Parabolic Theatre’s immersive theatre show Crisis? What Crisis? cracks open the government machine and gives the audience the chance to get hands-on with the levers of power.
Director Owen Kingston
I spoke to director Owen Kingston about the show, what immersive theatre adds to the audience experience, how the company prepare for the unexpected and advice for those who are shy about getting involved?
Crisis? What Crisis? Is an immersive experience - how does it work?
All the events of the show take place in a Government office building in 1979.
The country has just been through the “winter of discontent” where strikes brought the country to its knees, and now Jim Callaghan's government is facing a vote of no confidence.
In our shows, the audience is firmly in the driving seat narrative-wise.
We don't go as far as giving our audience specific roles, but we do give them a reason to be present in the world of the show.
In “Crisis? What Crisis?” our audience members are special advisors to government ministers, and they have been gathered together to try and solve some of the big problems facing the country while all the MPs are in parliament debating in advance on the no-confidence vote.
The audience as a whole has to actively engage with these problems and try and solve them.
This can involve negotiating with Union representatives over the phone or in person, persuading MPs to try and vote in a particular manner, or choosing financial policies to enact to try and stabilise the economy.
The whole thing feels like a cross between a theatre performance and a board game, where the decisions taken by the audience affect the direction of the story.
Tackling problems affecting one part of the country might worsen problems in another part, and it is down to the audience to prioritise what to fix and how, and to try and work out what will have the biggest influence on the no-confidence vote, which is the ultimate metric of success or failure.