As soon as I stepped into the Almeida auditorium and saw the stage I got the reference. There was a grave-sized earthy hole around which there were spotlights and actors dressed in white, forensic-style jump-suits who were excavating bones. The last to be lifted is a twisted spine which is a macabre sight and sets the tone.
The grave excavation is a nice merging of history and fiction and is used to book end Rupert Goold's production. It was also a promising start to what is one of my favourite Shakespeare plays.
When Ralph Fiennes' Duke of Gloucester appears for the 'winter of discontent' speech it is a slow, deliberate delivery. He makes sure he has everyone's attention, holding people's gaze. (I've embedded a video of another speech at the bottom of the post to give you a taste.)
His Richard is a snake, slithering slowly, fixing you in his eyes so that you daren't look away but a snake which has a sudden deadly bite. I've seen productions where he's played as a loveable villain - dangerous but charming. There is no such charm here. He is pure evil, prone to occasional violent outbursts, particularly towards women when his violence turns sexual. He is a coward in that respect. He's not a hands-on murderer as he is sometimes portrayed, he leaves that to others, instead he picks his fights with those he can easily overpower.