Caoilfhionn Dunne (Woman) and Jack Farthing (Andrew) in Wild at Hampstead Theatre. Photo by Stephen Cummiskey
Andrew (Jack Farthing) is alone in a nondescript hotel room. He's done something big, something which takes him from sitting in KFC with his girlfriend one week to hiding out in a hotel in Moscow the next. Sound familiar? It should, Mike Bartlett's new play at Hampstead Theatre was inspired by Edward Snowden, whistle blower and revealer of secrets that the powers that be never wanted revealed.
A woman arrives (Caoilfhionn Dunne) who may or may not be there to help him. Her identity and purpose is an enigma. There are hints that she is from a Wiki-type company - there are references to 'him' which imply Julian Assange - she is also calculated and manipulative. One moment she is his friend, one moment not. She teases, jokes, is personal, aloof and she claims to know more about Andrew than he knows about himself. There is something about her that is disquieting.
After she has left a man (John Mackay) turns up and from what he say, Andrew thinks he's also from Wiki but he claims not to know who the woman is. He is also difficult to make out giving chocolate with one hand while blackmailing with the other - never has someone opening a bag been quite so tense.
Bartlett's play is unnerving. It puts you in the shoes of Andrew, has you groping around for the truth of the situation, questioning who and what information you can trust. In a recent interview on Radio 4's Front Row he drew parallels with the recent EU referendum - how could people make an informed choice when they didn't know who or what to believe, when you can't put your trust in the people in power who can you trust?