Champagne photo by Rev Stan
It was a year in which I was spat on, splattered with blood and humiliated - the things we audience members have to go through when watching a play. It was also the year of the dog with not one but two scene-stealing canine appearances (Two Gentlemen of Verona and Shakespeare in Love) and then, on my final theatre visit of the year, the 'ahhh-factor' ratcheted up a notch with a kitten stealing the show in Elephants. A kitten, yes. Actors don't bother speaking when there is a kitten on the stage, no one is listening.
But back to the matter in hand, yes, it is that time of year again; a time to honour and reflect on those moments that made up 2014's theatre highlights. And, a time to feel aghast all over again at some of the lowlights.
The long and short of it award
Down on the South Bank the Young Vic was having a little competition with itself over running times. Bam it hits us with a lithe, 2-hours straight-through A View From the Bridge then, pow, it counters that with a three hours 40 minutes Streetcar Named Desire. Maybe the latter was to stick one in the eye of neighbour Old Vic which at the time was running The Crucible at a good three and half hours long. I'd normally go for quality over quantity but for once the long plays got away with it.
Best use of a song
Last year was particularly notable for the use songs during plays (I'm not talking musicals). Lorde's Royals got used at the end of Charles III and then again during one of the James plays.
And I'm still haunted by the brilliant use of Chris Isaak's Wicked Game during Streetcar Named Desire. It's an ambiguous song in that it's not quite as romantic as the lyrics may initially imply. It was an ambiguity that worked perfectly for the sexually charged moment between Gillian Anderson's Blanche and Ben Foster's Stanley.
But neither of those songs gets the award, nope, it goes to David Bowie's Starman played during My Night With Reg. I'll never be able to listen to that song again without it conjuring up the bitter sweet 'dance' in Guy's flat. It was a laugh or cry moment and the song captured it perfectly.