3 posts categorized "Edinburgh Fringe" Feed

Edinburgh Fringe interview: Director Madelaine Moore on bloody unlikeable female characters in play Ladykiller

Director Madelaine Moore talks about Ladykiller, its charmingly murderous female lead, preparing for the Fringe and what she's looking forward to seeing. And writer Madeline Gould pops in to talk about creating murderous characters.

Madelaine MooreWhy is Ladykiller a must see at this year's Edinburgh Fringe?

Ladykiller really is unlike any character you have seen on stage before. She is unlikeable. She says and does all the things you might fantasise about doing when someone wrongs you, but wouldn't dare... mainly because they would mostly be illegal.

She's a character who toes the line between victim and perpetrator with such saucy alacrity.

She manages to charm the pants off you while covered in blood up to her elbows, and with a dead body at her feet.

At previews as well as loud guffaws we've had a woman mime a tiny fist pump while quietly hissing "YESSSS!" and another who would not (could not) look at Hannah (McClean who plays 'Her') throughout the show.

My favourite audience quote so far has been, "so dark it was like a beautiful black hole."

With that darkness, we wanted to push the boundaries, because for us it was really about answering the question, how much is too much? It's going to be very interesting to see how audiences answer that! 

Writer Madeline Gould is described as having a knowledge of serial killers, women in crime and all things generally gruesome which is 'second to none’ - dare we ask how come?

So Maddie, and me to a certain extent, both have a fascination with people who kill; serial killers in particular.

I used to have a collection of books about serial killers that lived next to my bed until I realised it might look a bit weird to anyone who made it in that far, so I got rid of them. But Maddie is a voracious reader, podcast fan and researcher so she's really gone in. 

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Edinburgh Fringe interview: Su Pollard on her fringe debut and what she wants to see while she's there

Su Pollard will be making her Edinburgh Fringe debut starring in Harpy, a play written especially for her by Fringe-first winner Philip Meeks.

Su_Pollard-hary-edinburgh-fringeIn this preview interview, she talks about playing Birdie, a woman ostracised by her neighbours because of her hoarding, embarking on her first fringe and what she wants to see when she isn't performing.

How does it feel to have a play specially commissioned for you?
 
When I first met the playwright Philip Meeks about three years ago he said he was going to write something for me.  

I don’t think either of us thought much more about it until Suzanna Rosenthal suggested it because we knew each other.  

I’ve often been asked to go to Edinburgh but I’ve either been busy with other shows or the right play hasn’t been sent my way.  

What’s fantastic about this is I’ve been there from the start and Philip’s told me about every stage of his thinking and the writing process.  I feel as if I’ve really helped to create the role.

What was it about Birdie that made you want to play her?
 
Because she’s a woman of my age with a story to tell and believe me when you hit your sixties the great parts become few and far between.  

As soon as Philip said her story was about her hoarding the whole concept of hoarding seemed to be everywhere. In the papers, on the telly, I had friends admitting to suffering from it.

I realised it’s a phenomenon that people are fascinated by and it’s a dilemma people are facing increasingly because of the times we’re living in.  

So Birdie's story is very real and relevant and touches many people.

Her story also touches on the idea of mental health and how we all probably suffer from it. But what makes society decide who’s mad and who’s not these days when all our values and ideas seem to be getting eroded away on a daily basis.
 

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Advice for a first time Edinburgh Fringe reviewer

In more than a decade of blogging about theatre, I've never been to the Edinburgh Fringe but that is changing this year.

I'm going with the Network of Independent Critics for a week and I'm stupidly excited and slightly overwhelmed already - all tactical and survival advice gratefully received.

My main focus for the festival is intersectional theatre - plays not musicals - and I'm looking to do some preview interviews in the run up.

If you have a production that might fit the bill and are open to reviewers, do get in touch via Email Me which is just below 'About' in the right-hand column.

via GIPHY