52 posts categorized "Almeida" Feed

Review: The heartbreaking Summer and Smoke, Almeida Theatre

Summer and Smoke is tender and delicate and yet simultaneously as emotionally intense as the heat of the season during which it is set.

Tennessee William's Summer and Smoke is a coming of age story, a self-discovery story and a heart-breaking love story.

Set in a small, gossipy, Mississippi town during a hot summer Alma (Patsy Ferran) is the minister's daughter chaste, principled, spiritual and spirited. John (Matthew Needham) is the doctor's son and is more material and physical.

Summer_and_Smoke_FINAL_banner_1470x690Both are products of their upbringing and feel trapped by it. Alma's mother has had some sort of nervous breakdown pushing Alma into the position of carer and house-keeper.

John is expected to follow in his father's footsteps and feels the weight of that expectation, he seeks out physical diversion and satisfaction whether that is alcohol or girls.

Alma has long harboured feelings for John and there is obviously a spark between them that always seems on the verge of fully igniting. Is it their different outlooks? Is it denial of a different side of themselves? Is it fear of being trapped or fear of giving themselves over to another physically and emotionally?

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January theatre round up: Big (big) name castings, highs, lows and lots of actor spots.

The Inheritance Young Vic
Vanessa Redgrave joins the cast of The Inheritance, Young Vic

Theatre gets me through the dark days of January, here are my highlights from the new play and casting announcements, favourite things I saw (and the low moment).  And, thanks to the Julius Caesar press night, there was a bumper crop of actor, director and writer spots too...

* Forbes Mason, who will forever be known as the Lucifer in pants, thanks to Jamie Lloyd's Doctor Faustus, has been cast in the Almeida's Summer and Smoke which opens later this month. Did I mention how much I'm looking forward to seeing Patsy Ferran, who also stars, in that?

* Josie Rourke announced she is stepping down as artistic director at the Donmar Warehouse next year after eight years in the role. My highlights of her tenure, if you were to ask me for the first things that spring to mind, would be the Tom Hiddleston Coriolanus (incidentally my review of that is my most popular post and has been viewed nearly 15,000 times), the all women Shakespeare series and James Graham's Privacy. There are plenty of others but those are what stick most in my mind.

* Vanessa Redgrave (yes Vanessa Redgrave!) has been cast in The Inheritance at the Young Vic which opens next month. I could listen to her voice for hours. Also announced in the cast are Stan-fav's Kyle Soller, Michael Marcus and Luke Thallon plus a whole bunch of new names I’m looking forward to getting to know over a double play day.

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My best of theatre list for 2017 - with some rom-com, Chekhov and Christmas surprises

If you'd told me at the start of the year that there would be a rom-com, a Chekhov and a Christmas play on my best of list, I'd have laughed in your face. Just goes to show you should always expect the unexpected...here are my favourite plays of 2017, in no particular order and links are to my reviews.

An Octoroon - Orange Tree Theatre - publicity photo by The Other Richard
An Octoroon - Orange Tree Theatre - publicity photo by The Other Richard

Dirty Great Love Story, Arts Theatre

Let's face it most rom-coms are a bit rubbish - they generally aren't that funny - but this tale of modern romance had me guffawing with laughter and I wasn't on my own.

An Octoroon, Orange Tree Theatre

This is a play that reminded me why I love going to the theatre and I could write pages on it. Thought-provoking, sometime uncomfortable to watch and yet it was still entertaining. It's transferring to the National Theatre in June and I'll definitely be getting a ticket.

Apologia, Trafalgar Studios

In my review I said: "Apologia is a play of sharp humour and depth that slowly breaks down the defences to reveal something raw and emotional. You will laugh and you will have a lump in your throat." It was also a great play for female characters.

Out There on Fried Meat Ridge Road, White Bear Theatre and Trafalgar Studios 2

This odd-ball, misfit comedy was a breath of fresh air and it got a much deserved transfer so I got to enjoy it a second time.

Hamlet, Almeida

Up there as one of the best Hamlet productions I've seen, it made me see the play anew.

BU21, Trafalgar Studios 2

Writer Stuart Slade took real testimonies from terrorist attacks around the world and used them to create a story around a fictional attack in London. The result was an honest, awkward and funny piece that was also really clever.

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My 5 biggest theatre disappointments of 2017

Not everything is brilliant or lives up to expectations. These are the plays that disappointed me the most in 2017.

Obsession, Barbican Theatre

Ivo Van Hove had two plays in my best of list last year but Obsession, starring Jude Law, felt at times pedestrian and aloof where it should have been passionate and tense.

HamletAgainst, Almeida

While I always enjoy watching Ben Whishaw on stage the play itself was so disappointing. On reflection, in my review I think I was still trying to like it  but it was just so doughy, lacking any punch or defined focus.

Woyzeck, Old Vic

Was really excited to see John Boyega on stage but like Against, the play was a disappointment. You can see where it is going early on - there is a particular line which is like having a gun on stage - but it takes a long, long time to get there. It also felt like it was trying too hard to be shocking and edgy.

Nuclear War, Royal Court

I'm a huge fan of Simon Stephens but I wasn't a fan of this at all. It felt like an experiment that shouldn't have made it out of the rehearsal room. It was so abstract and difficult to make sense of its 45 minute running time felt too long.

Hamlet, RADA

Ah yes the Tom Hiddleston/Kenneth Branagh Hamlet I was so excited about this. Love Tom Hiddleston but I'm not a fan who sees everything he does through rose-tinted spectacles (Ben Whishaw/Against is a case in point) and this felt like a huge opportunity missed. It's a small, intimate space and the play was staged in the round with the stalls seating effectively 'on stage' but it seemed as if Kenneth Branagh had directed it for a huge West End theatre.  There was no subtlety, no surprises, no innovation and given that the last two Hamlet's I've watched have been among the best I've ever seen it was really disappointing. I'm still a little bit cross about it.

Related: My best of theatre list for 2017

My theatre 'StOlivier' awards 2017

Step aside best actor/actress/play etc this is what was noteworthy for me in theatre land, in 2017.

Menagerie award The Ferryman was an award winning play in many way but for me it deserve an extra gong for fur and feathers - a cute little rabbit and a goose both made scene stealing appearances. Babies? Schmabies. Real, live animals on stage are the thing.

Exhibit A: Roman Tragedies, Barbican Theatre
Exhibit A: Roman Tragedies, Barbican Theatre

Event theatre and star studded audience award Ivo Van Hove's  six hour Roman Tragedies at the Barbican was an event for many reasons not least for allowing audience members to wander onto the stage between scenes and perch wherever they could get a seat. Photos, without flash, and tweeting (see exhibit A) were also encouraged. It also attracted probably the most thespy audience I've seen so far: Simon Stephens, Rupert Goold and Kate Fleetwood, Kyle Soler and Pheobe Fox, John Heffernan, Angus Wright, Jamie Lloyd, Ruth Wilson, Ian McDiarmid, Jonjo O’Neill, Jeremy Herrin and Leo Bill.

Best kiss When Paddy Considine and Laura Donnelly's characters kissed in The Ferryman, Royal Court it was so charged with years of repressed feelings it took my breath away and broke my heart a little bit.

Best spit - Not since I (probably) gave an award to the cast of Richard III for all spitting on Ralph Fiennes has their been a gobbing incident worthy of note but step forward Jasmine Hyde who spat so spectacularly on Harry Melling during Jam, Finborough Theatre.

Hottie of the month kinda lives on...these were my particular favourites in 2017: Theo James, Andrew Garfield, Douglas Booth and James Norton but if I had to choose one it would be Theo because I'm such a huge fan and it was the first time I've seen him on stage.

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10 plays I'm really looking forward to seeing in London 2018

Julius Caesar, Bridge TheatrePrompted by the Daily Telegraph's rather uninspiring and quite frankly lazy list of upcoming theatre treats - three plays which have already opened? Oh come on - here's my list of what I'm already really excited about seeing in the first half of 2018*.

1. My Mum's A Twat, Royal Court Theatre - Patsy Ferran, I love Patsy Ferran and this is the first of two plays she's doing in 2018 and it's a solo piece *insert big smile here*

2. Julius Caesar, Bridge Theatre - Ben Whishaw playing Brutus alongside David Morrissey and Michelle Fairley and the chance to mingle with the Roman mob? Already booked to see it twice.

3. The Brothers Size, Young Vic - Written by Tarell Alvin McCraney who also penned Oscar best picture winner Moonlight (which I loved) and starring Sope Dirisu who was brilliant in One Night In Miami at the Donmar and the RSC's Coriolanus.

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Review: The Twilight Zone, Almeida Theatre - sinister and silly fun

It doesn't really matter if you aren't familiar with the 1950s/60s American TV series The Twilight Zone you'll soon get a feel for what it was like when you watch this stage version at the Almeida Theatre.

OK, so there will be some references you'll miss but if  you want to do a teeny bit of prep just watch this video clip of the The Twilight Zone TV series intro sequence.

The Twilight Zone Almeida TheatreI don't know if the way the play is structured mirrors the TV series or not (I never watched it) but what you get is a series of individual stories that are broken up into different sized chunks and then weaved together.

The effect it to have several stories running simultaneously, often breaking off at a cliff hanger, to move onto another, then another before coming back to continue a particular story.

There are recurring motifs, images and skits (for want of a better word) that link everything together.

Even the set is a mixture of other-worldliness and 60's TV.  It resembles the inside of a box - or an old fashioned TV - painted to look like a star-studded night sky.

Sets for different stories are wheeled in place or carried with an exaggerated flourish from behind panels which open at the sides.

These also allow the cast to slip on and off stage sometimes unseen in what feels like the human equivalent of a slight of hand trick.

Sets, costumes, props are all period in keeping with the TV series - even the performances - and this is part of what makes it fun. There are some suitably dodgy 60s style wigs for instance.

Stories range from a mysterious extra passenger on a bus journey that has been interrupted by bad weather to a child that has gone missing from her room but can still be heard calling out for her parents.

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Review: Albion, Almeida Theatre

XALBION.jpg.pagespeed.icSat down to watch Albion with a mixture of expectations. A theatre loving friend said they'd left at the interval but Victoria Hamilton and Luke Thallon were both shortlisted for Evening Standard Theatre awards. Now, I don't believe there is too much inference to be drawn from award nominations but I was, nonetheless, encouraged.

And the verdict? Well I definitely didn't want to leave at the interval and Victoria Hamilton and Luke Thallon were very good.

Victoria Hamilton plays Audrey who has just moved from London to a big house in the country. The gardens were once something and she wants to restore them to their former glory. She is obsessed with restoring them to their former glory but that isn't really what the play is about, its about a woman who is adrift, grieving the death of her soldier son James and trying to find an anchor.

She has her patient and self deprecating second husband Paul in tow (a completely lovable Nicholas Rowe) and her university student daughter Zara (Charlotte Hope) who is not happy to be displaced into the country. Also tagging along is Anna (Vinette Robinson) who is James' grief-stricken girlfriend and Audrey's famous writer friend Katherine (Helen Schlesinger).

The house comes with furniture, Matthew (Christopher Fairbank) the gardener and his wife Cheryl (Margo Leicester) who is the cleaner and a neighbour's son, Gabriel (Luke Thallon), who cleans the windows and quickly develops an awkward crush on Zara.

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Review: Ben Whishaw has been spoken to by God in Against, Almeida Theatre

1470x690_AGAINST_NBIn Bakkhai Ben Whishaw played a god. In Against he plays a man who believes he has been spoken to by God. The difference? Well there is a lot less hair for a start.

Luke is a tech billionaire who heard a voice in his head prompting him on a journey to understand violence and change the world.

Assisted by Sheila (Amanda Hale) he decides to go where the violence is and talk to people who’ve been affected - the parents of a high school shooter and a student at a University campus where there was a spate of rapes.

His is a sophisticated and intelligent mind but his approach is relatively simple until he is forced to question what constitutes violence. Can it merely be a physical thing or is the way people are treated by society or capitalism - for example - a form of violence in itself?

While Luke wrestles with the scale and effectiveness of his project, the nature of his fame begins to change. On the one hand he starts to attract followers who see him as something of a spiritual healer or icon on the other, he starts to attract critics.

Ben Whishaw's Dionysus in Bakkhai was seductive, alluring and manipulative whereas Luke has the demeanour of someone who believes he has the light of something in him; he has a Jesus-like quality, gentle, serene and thoughtful - except when it comes to personal relationships. Luke is a good listener particularly in Ben Whishaw's hands. When he is listening, he gradually moves closer to the person who is talking. He looks rapt, an expression that encourages and empathises; perhaps there is a little sign he enjoys it that people are opening up to him. I found myself constantly watching him just in the act of listening.

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My favourite plays of 2017...so far #midyearreview #theatre

via GIPHY 

2017 is already the year that brought us Andrew Scott's Hamlet, Jez Butterworth's The Ferryman and my introduction to playwright Branden Jacob-Jenkins and it's only six months in. There are a further nine plays I couldn't not include in my 'best of so far' list and that was with the bar set very high. I've still got Angels in America, Ben Whishaw in Against, Rory Kinnear in Young Marx and the awarding winning Oslo to come later this year, among many others potential theatre treats - the end of year list is already looking tricky to narrow down.

Anyway, here's what I've enjoyed the most in 2017 so far. Feel free to agree/disagree...

(In no particular order, because that would be too traumatic to do.)

1. Amadeus, National Theatre  This was supposed to be a 2016 play but I gave up my ticket for the early part of the run because of work pressures, good words from @PolyG made me rebook for January and I'm so glad I did. It was a play that unexpectedly floored me. It's returning next year and yes I've got a ticket.

2. Out Their On Fried Meat Ridge Road, White Bear Fringe theatre kicked off in fine style with this brilliantly warm, funny, odd, dark, misfit comedy that was the antidote to everything disturbing that was going on the world at the time. It transferred to Trafalgar Studios 2 and I got to enjoy it all over again.

3. Hamlet, Almeida  I've seen a lot of Hamlet's and there is usually something new in each but Andrew Scott's prince in Robert Icke's production made me look at the play with completely new eyes. Sorry Sherlock but this was a battle that Moriarty definitely won. It's transferred to the West End.

4. An Octoroon, Orange Tree Theatre  Was tipped off about American playwright Branden Jacob-Jenkins and this is the first of his plays I've seen. It's a play I could write reams and reams about and reminded me why I love going to the theatre. Gloria, another of his plays is currently on at Hampstead Theatre, it didn't quite make this list but it is still really good.

5. Rotterdam, Arts Theatre  This was in my 'best of' list last year but after a stint off Broadway it's come back to London to the bigger Arts Theatre. It made me laugh, it made me gasp and it made me cry - all that even though I've seen it before and knew exactly what was coming. That's why it's back on the list. It's on until 15 July.

6. Rosencrantz and Guildenstern Are Dead, Old Vic  It's possibly the only Tom Stoppard play I really like and this was a great production that was lively, entertaining, profound and melancholic . There was a brilliant rapport between the two leads - Daniel Radcliffe and Joshua McGuire - and David Haig as The Player was worth the ticket price alone.

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