Rehearsal pics: Colin Morgan, Ellie Kendrick and cast in Gloria, Hampstead Theatre
Review: Post war modern women and making babies in Kiss Me, Trafalgar Studios 2

Review: Powerful and haunting - The Enchanted, The Bunker Theatre

The Enchanted  The Bunker  - Courtesy of Dina T (1)
The Enchanted The Bunker - Courtesy of Dina T

There is no doubt that Arden (Corey Montague-Sholay) and York (Hunter Bishop) have killed. This isn't a miscarriage of justice death row drama or a did they or didn't they, this is story of two murderers waiting for execution and how they face it while a Lady (Jade Ogugua) makes a last ditch effort to get the death penalty over turned.

Adapted by Joanna and Connie Treves from Rene Denfeld's poetic novel, The Enchanted is narrated by Arden and takes a walk in the shoes of the two convicts and their pasts. Locked in windowless cells a trip to the visitors room is the only glimpse of the outside world they get. They aren't allow any human contact and you don't fully comprehend what that would be like until it is laid bare by Arden.

He weaves his own thoughts, observation and history with York's story, the Lady's conversations with people from his past and the Fallen Priest (Jack Staddon) who is a regular death row visitor. The monologues and dialogues are punctuated with ebbs and flows of movement that serve to illustrate the outside world that is unreachable and alien to the prisoners.

Puppets of the young York and his mother and Arden as a child stalk the background as a harsh reminder of the journey they've been on in their short lives. The actors also write and draw with chalk on the floor and back wall of the stage although I'm not sure this particular device is entirely necessary or effective.

Corey Montague-Sholay's narration is gentle, lyrical, sometimes poetic; tonally there is a solemnity and beauty. What unfolds is a story that is sometimes brutal, cruel, full of hurt and heartbreak and yet it is told without rage, anger or hysteria.  The Enchanted is a play about the humanity in monsters and monsters in humanity; whilst not defending what they've done it asks questions about society, the system and human behaviour. It's powerful and haunting and stays with you long afterwards. I'm giving it four stars.

It is 90 minutes without an interval and on at The Bunker Theatre until June 17, 3pm/7.30pm.

 

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