In the first half he plays a sweating, divorced professor obsessed with the question of authorship of Shakespeare's plays. He recounts how he tested several theories while playing a cat and mouse game with the 'leather patches on elbows' who want to protect Shakespeare as the author. The result is an ever more paranoid professor with ever more ridiculous theories. The second half sees him channelling the Bard who feels if he can't be 'undead' then he just wants to be left alone and forgotten about.
There are some chuckle-worthy moments and the occasional witty line - it helps if you are familiar with Shakespeare's contemporaries and the theories of authorship - but there just isn't enough of it to fill two 45 minute segments. There are sections which could perhaps work as short sketches but it needs to be cleverer and a lot funnier for a longer piece.
Crighton ends by arguing that we should put on new writing rather reviving old stuff and he does have a point but the old stuff is really rather good which is why it has lasted.
It's two 45 minute segments with a 15 minute interval and I'm giving it two stars. It is on at Theatre N16 in Balham until 13 October.